Anne Stevenson’s new collection crosses many borders. While her title-poem mocks borders dividing rich nations from poor, its subtext undermines the public language of political self-justification, suggesting that the true dimensions of morality can be approached best through literature. Many of these poems balance between youth and age, life and death, love and friendship, science and mythology, terrorists and victims. For most of her life, Stevenson has spanned the New World and the Old, and in her “rescued” long poem, Green Mountain, Black Mountain, she looks back again to her wartime childhood in America. A sequence of Welsh poems explores borders between reality and imagination and between the worlds of the present and the past. As always, Stevenson’s poems are sharp-edged, disconcerting and musical, often bordering on laughter or tears. Never trying sell ideas or confirm prejudices, she reveals – through her scrupulous choice of language – profound, complex, hidden, maybe shaming but certainly important insights into human nature.
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Anne Stevenson (1933-2020) was born in Cambridge, England, of American parents, and grew up in New England and Michigan. She studied music, European literature and history at the University of Michigan, returning later to read English and publishing the first critical study of Elizabeth Bishop. After several transatlantic switches, she settled in Britain in 1964, living in Cambridge, Scotland, Oxford, the Welsh Borders, and latterly in North Wales and Durham. She held many literary fellowships, and was the inaugural winner of Britain’s biggest literary prize, the Northern Rock Foundation Writer’s Award, in 2002. In 2007 she was awarded three major prizes in the USA: the $200,000 Lannan Lifetime Achievement Award for Poetry by the Lannan Foundation of Santa Fe, a Neglected Masters Award from the Poetry Foundation of Chicago and The Aiken Taylor Award in Modern American Poetry from The Sewanee Review in Tennessee. In 2008, The Library of America published Anne Stevenson: Selected Poems, edited by Andrew Motion, in conjunction with the Neglected Masters Award. This series is exclusively devoted to the greatest figures in American literature. Following two collections in the US in 1965 and 1969, she published her renowned family history sequence Correspondences, along with Travelling Behind Glass: Selected Poems 1963-1973, with Oxford University Press in 1974. After seven more books with OUP, she moved her publishing to Bloodaxe when OUP shut down its poetry list in 1999. In 2000 Bloodaxe reissued her OUP Collected Poems 1955-1995 at the same time as a new collection, Granny Scarecrow. These were followed by A Report from the Border (2003) and a new expanded retrospective, Poems 1955-2005 (2005), and then by three later collections, Stone Milk (2007), Astonishment (2012) and Completing the Circle (2020). As well as her numerous collections of poetry, Anne Stevenson published a biography of Sylvia Plath (1989), a book of essays, Between the Iceberg and the Ship (1998), and two critical studies of Elizabeth Bishop’s work, most recently Five Looks at Elizabeth Bishop (Bloodaxe Books, 2006). In 2016 she gave the Newcastle/Bloodaxe Poetry Lectures, published by Bloodaxe in 2017 as About Poems and how poems are not about.
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