"Using a retrospective approach, this collection of essays provides an illuminating and informative commentary on the artwork of Tim Davies. Explored are the practice, the international contexts, and the recurring motifs of Davies's art. Davies himself also provides a commentary on five of his significant pieces. Internationally exhibited and acclaimed, Davies utilizes humble, commonplace, or reclaimed materials to make works of art that engage with contemporary issues through a formal and minimal visual language. Discussed is a seminal work in which he laid parquet in the Belizean jungle, and plants then grew through the blocks and termites eroded them. Davies's use of change, both organic and by intervention, is explored."
Tim Davies is one of the most exciting artists working in Britain today. Internationally exhibited and acclaimed he specialises in art which explores identity through artefacts - he has approached Wales through wool, fire, oil-drenched seabird feathers, lead from the roof of a disused chapel. More exotically he has returned a tropical hardwood parquet floor to the Belizean jungle from whence it came, laying the blocks among the trees where new plants now grow through them and termites erode them. Change, organic and by intervention, and method are at the centre of Davies' art; process is its determining feature. In a retrospective approach three leading critics provide an illuminating and informative commentary to his work. David Alston is the Keeper of Art at the Lowry Centre; Iwan Bala is one of Wales' leading artists and critics; Anne Price-Owen is Senior Lecturer in Art at the Swansea Institute. Together they explore the practise, the international context, the Welsh context and the recurring motifs of Tim Davies' work. Davies himself also provides a commentary on five of his significant pieces, and the Foreword is provided by Susan Daniel-McElroy, Director of Tate St Ives.
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