`Demonstrates once again the qualities of perhaps the most consistently stimulating scholar of 17th and 18th-century performance practice writing today. Sure to become a standard resource in its field.' Jane Stevens, DYALEUNIVERSITY The eighteen witty and provocative essays in this collection spanperformance issues in music from Vivaldi and Bach to Mozart and Haydn.Two survey the early music movement and the creed of authenticity,two ornamentation in the music of Haydn,and one performance problemsin music of Mozart. Other essays argue for contextual examinationof binary and ternary rhythmic conflicts, refute the attempt to universalise the application of the French principle of notes inégales, question the historical `justification' for nonvibrato singing and playing of early music, and challenge the practice of literal interpretation of ornament tables. FREDERICK NEUMANN has since 1955 been affiliated with the University of Richmond (Virginia) as Professor Emeritus of music.
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A collection of essays, which question many orthodox beliefs of the performance practice tradition and take a critical look at the early music movement. Coverage includes Haydn's ornaments, Mozart interpretation, Handel's overtures and binary and ternary rhythms.
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EUR 34,11 für den Versand von USA nach Deutschland
Versandziele, Kosten & DauerAnbieter: School Haus Books, Saginaw, MI, USA
Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. 1992 hardcover with jacket/ex-library with usual markings/clean & unmarked text/new clear archival cover. 257 p, Bestandsnummer des Verkäufers ABE-1660668231503
Anzahl: 1 verfügbar
Anbieter: School Haus Books, Saginaw, MI, USA
Hardcover. Zustand: Good. No Jacket. 1992 hardcover/no jacket/ex-library with usual markings/clean & unmarked text. 257 p. Bestandsnummer des Verkäufers ABE-1660668818818
Anzahl: 1 verfügbar