This collection of critical essays examines distinctive moments of the Americas Society's visual art program and its impact on the formation of a Latin American market in the United States. Founded in 1965, the Americas Society has played a pivotal role in Latin American art, from Pre-Colombian to modernism.
The book brings together a cross-cultural group of art historians and curators, including Alexander Alberro, Alexander Apó stal, Beverly Adams, Cecilia Brunson, Luis Camnitzer, Thomas Cummins, Andrea Giunta, Nicolás Guagnini, Paulo Herkenhoff, Anna Indych-Lopez, Luis Perez Oramas, John Pruitt, Mary Scheider Enriquez, and Sofía Sanabrais who discuss the relevance of the institution's intricate relationships with art, economics, and politics.
Essays address the emergence of site-specific practices such as Gego's Reticulárea and neo-avant-garde manifestations such as the Fashion Show Poetry Event conceived by E. Costa, J. Perrault, and H. Wiener; Marta Minujin's happenings; Michael Snow's photographs; David Siqueiros' monographic show; and the notion of landscape in the Western Hemisphere, among other significant topics. A Principality of Its Own explores the achievements, frictions, and experiments that modeled the institution from the Cold War to the present.
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José Luis Falconi is Lecturer of Latin American Art and Architecture in the Department of History of Art and Architecture at Brandeis University.
Gabriela Rangel is Director of Visual Arts at the Americas Society.
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Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Bestandsnummer des Verkäufers 5022589-6
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Anbieter: Mullen Books, ABAA, Marietta, PA, USA
Softcover. Zustand: VG. Octavo. Softcover. Illustrated wraps. 301 pages : illustrations (some color) ; 22 cm. Includes a history of the Americas Society (formerly known as The Center for Inter-American Relations) with an emphasis on the visual arts program which comprises 4000 square feet of exhibition space and a series of programs open to the public at 680 Park Avenue in New York City. Bestandsnummer des Verkäufers 215850
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Anbieter: BWS BKS, Ferndale, NY, USA
Paperback. Zustand: New. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened --304 pp. ; 124 ills. -- with a bonus offer--; This collection of critical essays examines distinctive moments of the Americas Society's visual art program and its impact on the formation of a Latin American market in the United States. Founded in 1965, the Americas Society has played a pivotal role in Latin American art, from Pre-Colombian to modernism. The book brings together a cross-cultural group of art historians and curators, including Alexander Alberro, Alexander Apà stal, Beverly Adams, Cecilia Brunson, Luis Camnitzer, Thomas Cummins, Andrea Giunta, Nicolás Guagnini, Paulo Herkenhoff, Anna Indych-Lopez, Luis Perez Oramas, John Pruitt, Mary Scheider Enriquez, and SofÃa Sanabrais who discuss the relevance of the institution's intricate relationships with art, economics, and politics. Essays address the emergence of site-specific practices such as Gego's Reticulárea and neo-avant-garde manifestations such as the Fashion Show Poetry Event conceived by E. Costa, J. Perrault, and H. Wiener; Marta Minujin's happenings; Michael Snow's photographs; David Siqueiros' monographic show; and the notion of landscape in the Western Hemisphere, among other significant topics. A Principality of Its Own explores the achievements, frictions, and experiments that modeled the institution from the Cold War to the present. Bestandsnummer des Verkäufers 89238
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