Poetry. Art is no consolation, but it is art. Rod Smith sends us this "thinking event of the pulse fetish tone handle" from America's capital, where each day blank, pig-eyed men, hissing a kind of English work toward the further redistribution of wealth from the children of the underclasses to the orbiting robots of capital. Tinned and untinned, Smith's art speaks in resistance to treachery, and on behalf of several suppressed tendencies and human possibilities, some new, some older than agriculture. "A fringe limitation / structures history," but "no analysand can indent this largesse" -Kevin Davies.
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Poetry. Art is no consolation, but it is art. Rod Smith sends us this "thinking event of the pulse fetish tone handle" from America's capital, where each day blank, pig-eyed men, hissing a kind of English work toward the further redistribution of wealth from the children of the underclasses to the orbiting robots of capital. Tinned and untinned, Smith's art speaks in resistance to treachery, and on behalf of several suppressed tendencies and human possibilities, some new, some older than agriculture. "A fringe limitation / structures history," but "no analysand can indent this largesse" -Kevin Davies.
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Anbieter: Books From California, Simi Valley, CA, USA
paperback. Zustand: Very Good. Bestandsnummer des Verkäufers mon0003509318
Anbieter: Test Centre Books, Norwich, Vereinigtes Königreich
Soft cover. Zustand: Very Good. 1st Edition. 8vo. Wrappers. 88pp. With back cover quotations by Carolyn Forche, Kevin Davies, and Kit Robinson. Some spotting to the edges, the head edge with small bumps, but Very Good overall. This copy has been signed by the author ('Rod') and inscribed to Tom (Raworth) in the year of publication. Signed by Author(s). Bestandsnummer des Verkäufers 009643
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