This novel is based on the massacre by the SS of a small town in France during World War II, called Oradour-sur-Glane. Some of the perpetrators were French citizens - Alsatians drafted into the SS. They were put on trial in 1953 for taking part - under duress, it was claimed - in the horrendous killings and destruction of that peaceful village. Upon the order of President Charles de Gaulle, the town was kept as the Nazis had left it and is a national monument. Professor Eugène Desfosseux, a historian and self-taught ventriloquist, conjures amid the ruins figures from deep into his past and records the interviews and interrogations in a tale that epitomizes what this or any other war crime might encompass - including his own daily life of pleasures, romance and memories inflamed to a vengeance that would destroy his life's work.
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In addition to his many publications, Neil Rolde (1931-2017) was a long-time public servant, philanthropist, Renaissance man, and gentleman. The renowned Maine historian grew up in Brookline, Massachusetts. He earned a BA at Yale and a master's in journalism at Columbia University. He worked as a film scriptwriter before moving to Maine with his wife, Carlotta Florsheim, to raise their family. In York they brought up four children and enjoyed family visits with their eight grandchildren.The author won book awards from the Maine Historical Society, the Maine Humanities Council, and the Maine Writers & Publishers Alliance. Most of Neil Rolde's books involve the history of his beloved Maine and its people. With a wealth of historical knowledge about politics, the author turned his skill and wit to blogging current political incidents in a historical context.Rolde's public service included six years as assistant to Maine's Governor Kenneth M. Curtis and sixteen years as representative in the Maine State Legislature. He was the Democratic candidate for U.S. Senate in 1990. The author served on many state boards and commissions, including the Maine Health Care Reform Commission, the Maine Historic Preservation Commission, the Maine Humanities Council, and the Maine Arts Commission.
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