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Beginning as a critic and painter, Donald Judd moved into three dimensions in the early 1960s, with box-like structures arranged on the gallery floor or mounted on the wall. Initially constructed by hand, his sculptures were later industrially manufactured in such materials as galvanised iron, steel, Plexiglas and plywood. His use of brightly hued lacquers, vibrant colours and polished metals ran counter to the public's understanding of what 'minimalist' sculpture should look like.
The authors explore the conflicts between previous critical interpretations of Judd and his own philosophical, political and moral understanding of his work. They also examine the importance of colour and new man-made materials in Judd's work. The inclusion of a section on Judd's own permanent installations at the remote town of Marfa, Texas, a full chronology and a major essay by the artist on his own use of colour, completes a comprehensive survey of this compelling artist.
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Donald Judd
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Donald Judd
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D.A.P./Distributed Art Publishers, 2004
ISBN 10: 1891024892
ISBN 13: 9781891024894
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Bestandsnummer des Verkäufers 11995748-6
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Donald Judd
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Distributed Art Publishers, New York, 2004
ISBN 10: 1891024892
ISBN 13: 9781891024894
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Hardcover. Quarto. Hardcover. Bound in orange cloth with illustrated jacket. 284 pages : illustrations (chiefly color) ; 31 cm. "One of the most influential American artists of the post-war period, Donald Judd (1928-1994) changed the course of modern sculpture. Seen as a leading figure in Minimalism (a term he disliked), Judd constantly confounded expectations through the breadth of his own vision and the intensity of his critical engagement with both his own and other artists' work. This fully illustrated examination of his work, featuring essays by leading authorities from around the world, is the most comprehensive and up-to-date publication on Judd available. Beginning as a critic and painter, Judd moved into three dimensions in the early 1960s, with box-like structures arranged on the gallery floor or mounted on the wall. Initially constructed by hand, his sculptures were later industrially manufactured in such materials as galvanised iron, steel, Plexiglas and plywood. His use of brightly hued lacquers, vibrant colours and polished metals ran counter to the public's understanding of what 'minimalist' sculpture should look like. The authors explore the conflicts between previous critical interpretations of Judd and his own philosophical, political and moral understanding of his work. They also examine the importance of colour and new man-made materials in Judd's work. The inclusion of a section on Judd's own permanent installations at the remote town of Marfa, Texas, a full chronology and a major essay by the artist on his own use of colour, completes a comprehensive survey of this compelling artist." --. VG+. Some light rubbing to jacket, otherwise clean and unmarked. Bestandsnummer des Verkäufers 211594
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Donald Judd
Anbieter: Last Exit Books, Charlottesville, VA, USA
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Hardcover. Zustand: Very Good. Hardcover. 4to. D. A. P. /Tate, New York. 2004. 284 pgs. Fully illustrated in colour & b&w. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. One of the most influential American artists of the post-war period, Donald Judd changed the course of modern sculpture. Beginning as an art critic and then a painter, Judd moved into three dimensions with the box-like structures he produced in the early 1960s, either arranged on the gallery floor or mounted on the wall. Initially constructed by hand, the sculptures were later industrially manufactured in galvanized iron, steel, Plexiglas, and plywood. His use of vibrant color, polished and reflective metals, and brightly hued lacquer confounded and continues to confound expectations of what "minimalist" sculpture should look like. This lavishly illustrated survey features 41 works from collections around the world, many of them large scale, each illustrated with full catalogue entries alongside many other major works by Judd. Contributors Nicholas Serota (Director of the Tate) , Rudi Fuchs (former Director of The Stedelijk Museum, Amsterdam) , American critics Richard Schiff and David Raskin, and British artist and critic David Batchelor explore the conflicts between previous critical interpretations of Judd and his own philosophical, political, and moral understanding of his work. Judd's critical response to the work of other artists is examined, as is the importance of color to his work, and his reaction to new man-made materials and artificially generated color in the late-20th-century environment. A section on Judd's installations at Marfa in Texas, and an extensive new chronology, compiled by Judd's assistant, Jeff Kopie, are also included. Donald Judd compromises the most thorough and up-to-date publication on Judd in print today. E-088; 11.8 X 9.8 X 1.0 inches; 288 pages. Bestandsnummer des Verkäufers 71924
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Donald Judd
Verlag:
Distributed Art Publishers and Tate Modern, 2004
ISBN 10: 1891024892
ISBN 13: 9781891024894
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Hardcover with dustjacket, 284 pages, in English; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra. Bestandsnummer des Verkäufers DoJuDi200
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Donald Judd
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D.A.P. / Distributed Art Publishers,Inc., London, 2004
ISBN 10: 1891024892
ISBN 13: 9781891024894
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Erstausgabe
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Bestandsnummer des Verkäufers 189864
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Donald Judd
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D.A.P./Tate, 2004
ISBN 10: 1891024892
ISBN 13: 9781891024894
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Erstausgabe
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Hardcover. Zustand: Good. 1st Edition. Former library book in good condition. 288pp with colour and b/w photographs. Bestandsnummer des Verkäufers 019777
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Donald Judd
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Zustand: Very Good. Very Good++ in a Very Good++ dust jacket; Hardcover; Dust jacket is clean and glossy with no tears, and has not been price-clipped (Now fitted with a new, Brodart jacket protector); Unmarked boards with "straight" edge-corners; The textblock edges are unblemished; The endpapers and all text pages are bright and unmarked; The binding is tight with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (11.75" - 12.75" tall); 4.3 lbs; Jacket photo of wooden cabinet with title in red and white lettering; 2004, D.A.P./Tate Publishing; 288 pages; "Donald Judd," by David Batchelor, et al. Bestandsnummer des Verkäufers SKU-1505AD04004263
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Donald Judd
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hardcover. Zustand: New. In shrink wrap. Looks like an interesting title! Bestandsnummer des Verkäufers Q-1891024892
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Donald Judd
Anbieter: Salish Sea Books, Bellingham, WA, USA
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Zustand: Very Good. Very Good in a Very Good dust jacket; Hardcover; Dust jacket is clean and glossy with no tears, just minor edgewear, and has not been price-clipped (Now fitted with a new, Brodart jacket protector); Light wear to the boards; The textblock edges are unblemished; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (11.75" - 12.75" tall); Jacket photo of wooden cabinet with title in red and white lettering; 2004, D.A.P./Tate Publishing; 288 pages; "Donald Judd," by David Batchelor, et al. Bestandsnummer des Verkäufers SKU-1321AB00411112
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