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Lilian Armstrong is Professor of Art at Wellesley College, Massachusetts, and a specialist on Venetian Renaissance book illumination. She is the author of The Paintings and Drawings of Marco Zoppo and Renaissance Miniature Painters and Classical Imagery: The Master of the Putti and His Venetian Workshop, and she was a major contributor to the exhibition catalogue The Painted Page: Italian Renaissance Book Illumination 1450-1550 (ed. by Jonathan Alexander). Her publications have focussed particularly on the transition from illuminated manuscripts to the hand-illuminated early printed book in Venice. The present volume collects Professor Armstrong's papers on miniaturists active in Venice and Northern Italy in the 15th and early 16th centuries, and on the impact of the new invention of printing on these artists and their patrons. Included are papers on Marco Zoppo, primarily a monumental"painter, who nevertheless also painted in manuscripts and incunables. The studies variously identify miniaturists and designers of woodcuts through stylistic groupings, trace iconographic traditions for Pliny's Natural History and Petrarch's De viris illustribus, demonstrate the importance of heraldry for studying patronage of Venetian printed books, and explore the distribution of Venetian incunables throughout Europe based on analysis of their decoration.
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Lilian Armstrong was Professor of Art at Wellesley College, Massachusetts, and a specialist on Venetian Renaissance book illumination.
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Studies of Renaissance Miniaturists in Venice. Vol 1
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Studies of Renaissance Miniaturists in Venice, Volume I
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Stuidies of Renaissance Miniaturists in Venice. Vol 1
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Studies of Renaissance Miniaturists in Venice. Vol 1
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Hardback. Zustand: New. Lilian Armstrong is Professor of Art at Wellesley College, Massachusetts, and a specialist on Venetian Renaissance book illumination. She is the author of The Paintings and Drawings of Marco Zoppo and Renaissance Miniature Painters and Classical Imagery: The Master of the Putti and His Venetian Workshop, and she was a major contributor to the exhibition catalogue The Painted Page: Italian Renaissance Book Illumination 1450-1550 (ed. by Jonathan Alexander). Her publications have focussed particularly on the transition from illuminated manuscripts to the hand-illuminated early printed book in Venice. The present volume collects Professor Armstrong's papers on miniaturists active in Venice and Northern Italy in the 15th and early 16th centuries, and on the impact of the new invention of printing on these artists and their patrons. Included are papers on Marco Zoppo, primarily a monumental"painter, who nevertheless also painted in manuscripts and incunables. The studies variously identify miniaturists and designers of woodcuts through stylistic groupings, trace iconographic traditions for Pliny's Natural History and Petrarch's De viris illustribus, demonstrate the importance of heraldry for studying patronage of Venetian printed books, and explore the distribution of Venetian incunables throughout Europe based on analysis of their decoration. Bestandsnummer des Verkäufers LU-9781899828630
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Studies of Renaissance Miniaturists in Venice. Vol 1
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Hardback. Zustand: New. Lilian Armstrong is Professor of Art at Wellesley College, Massachusetts, and a specialist on Venetian Renaissance book illumination. She is the author of The Paintings and Drawings of Marco Zoppo and Renaissance Miniature Painters and Classical Imagery: The Master of the Putti and His Venetian Workshop, and she was a major contributor to the exhibition catalogue The Painted Page: Italian Renaissance Book Illumination 1450-1550 (ed. by Jonathan Alexander). Her publications have focussed particularly on the transition from illuminated manuscripts to the hand-illuminated early printed book in Venice. The present volume collects Professor Armstrong's papers on miniaturists active in Venice and Northern Italy in the 15th and early 16th centuries, and on the impact of the new invention of printing on these artists and their patrons. Included are papers on Marco Zoppo, primarily a monumental"painter, who nevertheless also painted in manuscripts and incunables. The studies variously identify miniaturists and designers of woodcuts through stylistic groupings, trace iconographic traditions for Pliny's Natural History and Petrarch's De viris illustribus, demonstrate the importance of heraldry for studying patronage of Venetian printed books, and explore the distribution of Venetian incunables throughout Europe based on analysis of their decoration. Bestandsnummer des Verkäufers LU-9781899828630
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Studies of Renaissance Miniaturists in Venice: Vol. I.
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The Pindar Press, London, 2003
ISBN 10: 189982863X
ISBN 13: 9781899828630
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Hardcover. Zustand: VG. Dark blue cloth over boards; Color illus. dj.; 434 pp.; Profusely illustrated in bw. Volume I only of this two-volume set; Divided into three sections: Drawings, Prints and Books; Pliny, Flavius Josephus and Petrarch; and Hand-Illuminated Incunables: Minaturists and Owners. Bestandsnummer des Verkäufers 123226
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Studies of Renaissance Miniaturists in Venice
Verlag:
Pindar Press, London, 2003
ISBN 10: 189982863X
ISBN 13: 9781899828630
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Hardcover
Erstausgabe
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Couverture rigide. Zustand: As New. Zustand des Schutzumschlags: As New. Edition originale. Studies of Renaissance Miniaturists in Venice The set of two Vols.Euro 900,00.- by Lilian Armstrong 240 x 170 mm. 462 pp. 146 illus. Publication: 2003 ISBN 1 899828 63 X Cloth Bound - Lilian Armstrong is Professor of Art at Wellesley College, Massachusetts, and a specialist on Venetian Renaissance book illumination. She is the author of The Paintings and Drawings of Marco Zoppo and Renaissance Miniature Painters and Classical Imagery: The Master of the Putti and His Venetian Workshop, and she was a major contributor to the exhibition catalogue The Painted Page: Italian Renaissance Book Illumination 1450-1550 (ed. by Jonathan Alexander). Her publications have focussed particularly on the transition from illuminated manuscripts to the hand-illuminated early printed book in Venice. The present volume collects Professor Armstrong's papers on miniaturists active in Venice and Northern Italy in the 15th and early 16th centuries, and on the impact of the new invention of printing on these artists and their patrons. Included are papers on Marco Zoppo, primarily a monumental"painter, who nevertheless also painted in manuscripts and incunables. The studies variously identify miniaturists and designers of woodcuts through stylistic groupings, trace iconographic traditions for Pliny's Natural History and Petrarch's De viris illustribus, demonstrate the importance of heraldry for studying patronage of Venetian printed books, and explore the distribution of Venetian incunables throughout Europe based on analysis of their decoration. Contents Introduction Copies of Pollaiuolo's Battling Nudes Two Notes on Drawings by Marco Zoppo The Illustration of Pliny's Historia naturalis in Venetian Renaissance Manuscripts and Early Printed Books The Illustration of Pliny's Historia naturalis: Manuscripts before 1430 A Renaissance Flavius Josephus The Agostini Plutarch: An Illuminated Venetian Incunable Opus Petri: Renaissance Book Illuminations from Venice and Rome II Maestro di Pico: un miniatore veneziano del tardo Quattrocento The Impact of Printing on Miniaturists in Venice after 1469 - see Vol II language : English text - The set of two Vols. Size: 240 x 170 mm. Bestandsnummer des Verkäufers 001623
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