This is the first biography of a significant artist difficult to 'pigeon hole' in the history of twentieth-century British art. A Jewish immigrant, Kramer was a contemporary of David Bomberg, Mark Gertler and Bernard Meninsky, as well as such rising names as C. R. W. Nevinson and William Roberts, but he was not interested in joining artist groups or movements. Yet he brought a distinctive style, energy and simplicity of design to the British art scene; as one critic has commented, there is a quality in his art that remains defiantly Eastern European.
Despite his Slade training and friendships - his teachers at the Slade were McEvoy, Tonks and Wilson Steer - Kramer lived most of his life in Leeds with his mother and sisters, with occasional forays to London. In Yorkshire, he became a close friend of the critic Herbert Read, and was a pivotal figure on the Leeds cultural scene.
In his early work Kramer sought, through reductive, stylised images, to explore what it meant to be Jewish. These uncompromisingly spare, sometimes bleak, paintings did not at first meet with universal favour or understanding. Kramer's work is to be found in public and private collections, notably Tate Britain, the National Portrait Gallery, Leeds City Art Gallery and the University of Leeds, many being illustrated in this book.
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Hardback. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+. Dust jacket is lightly shelf-marked, upper panel creased, price unclipped; boards are clean, gilt titling bright, corners sharp; binding is tight; pages are unmarked with bright illustrations. ; 7.03 X 0.89 X 9.92 inches; 192 pages. Bestandsnummer des Verkäufers 57908
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Gebundene Ausgabe. first Published. 212 S. Schutzumschlag gering berieben u. bestaubt // MANSON DAVID JACOB KRAMER CREATIVITY AND LOSS L026 9781904537571 *.* Sprache: Englisch Gewicht in Gramm: 970. Bestandsnummer des Verkäufers 369521
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HARDCOVER. Zustand: New. The first biography of an important artist difficult to pigeon hole in the history of twentieth-century British art. A Jewish immigrant, Kramer was a contemporary of Mark Gertler, David Bomberg, William Roberts and C R W Nevinson, but was not interested in joining artist groups. Yet he brought a robust energy, largeness and simplicity of design to the English art scene. As Frances Spalding has commented, there is a quality in his art that remains defiantly Eastern European. Despite his Slade training and friendships, Kramer lived his life in Leeds, his best work done in the post-World War I years.There, he became a close friend of critic Herbert Read, and for years was a pivotal figure in the Leeds cultural scene. Kramer's artistic reputation rests largely on his early portraiture, especially of Jewish subjects - tense, haunting images, strong and compelling. He is represented in many public and private collections, notably Tate Britain, National Portrait Gallery, Leeds City Art Gallery and the. Bestandsnummer des Verkäufers 93024
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