The many pieces of embroidery by Mary Queen of Scots or by Elizabeth Countess of Shrewsbury ('Bess of Hardwick') are among the best-known and most fascinating examples of historical embroidery. However, many questions surrounding their meaning and purpose - and, above all, the sources and patterns used for their imagery (including birds, fish, flowers, monograms, emblems and other devices) - remain unanswered. In 1548, the five-year-old Queen of Scots left her native Scotland to begin her French upbringing as the future Queen of France and it was here that she learned the art of decorative needlework, continuing with the craft during the last twenty years of her exile and confinement in England. Many of her embroideries have survived and can be seen at Oxburgh Hall (Norfolk), the Victoria and Albert Museum and elsewhere, but many more have since disappeared. In this new study Michael Bath not only describes and illustrates the surviving embroideries, but also documents from early records a large number of those that have disappeared. Many of these embroidered panels use emblems, combining a symbolic image with a learned adage, and Professor Bath shows how, in their own day, these were believed to hold moral, political and religious messages which expressed the Catholic queen's values, purposes and intentions. For this reason we find records of them in the forgotten files of the Elizabethan secret services. Mary's emblematic embroideries shed new light on issues surrounding one of the most controversial figures in English and Scottish history. At the same time, this new study shows exactly what sources - prints, engravings, book illustrations - the embroiderers drew on for their patterns, and it includes the first full catalogue raisonne of all the known embroideries created by these two remarkable women.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
By Michael Bath
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Paperback. Zustand: Good. The many pieces of embroidery by Mary Queen of Scots or by Elizabeth Countess of Shrewsbury ('Bess of Hardwick') are among the best-known and most fascinating examples of historical embroidery. However, many questions surrounding their meaning and purpose - and, above all, the sources and patterns used for their imagery (including birds, fish, flowers, monograms, emblems and other devices) - remain unanswered. In 1548, the five-year-old Queen of Scots left her native Scotland to begin her French upbringing as the future Queen of France and it was here that she learned the art of decorative needlework, continuing with the craft during the last twenty years of her exile and confinement in England. Many of her embroideries have survived and can be seen at Oxburgh Hall (Norfolk), the Victoria and Albert Museum and elsewhere, but many more have since disappeared. In this new study Michael Bath not only describes and illustrates the surviving embroideries, but also documents from early records a large number of those that have disappeared. Many of these embroidered panels use emblems, combining a symbolic image with a learned adage, and Professor Bath shows how, in their own day, these were believed to hold moral, political and religious messages which expressed the Catholic queen's values, purposes and intentions. For this reason we find records of them in the forgotten files of the Elizabethan secret services. Mary's emblematic embroideries shed new light on issues surrounding one of the most controversial figures in English and Scottish history. At the same time, this new study shows exactly what sources - prints, engravings, book illustrations - the embroiderers drew on for their patterns, and it includes the first full catalogue raisonne of all the known embroideries created by these two remarkable women. Bestandsnummer des Verkäufers 00107712790
Anzahl: 1 verfügbar
Anbieter: World of Books Inc, Montgomery, IL, USA
Paperback. Zustand: Good. The many pieces of embroidery by Mary Queen of Scots or by Elizabeth Countess of Shrewsbury ('Bess of Hardwick') are among the best-known and most fascinating examples of historical embroidery. However, many questions surrounding their meaning and purpose - and, above all, the sources and patterns used for their imagery (including birds, fish, flowers, monograms, emblems and other devices) - remain unanswered. In 1548, the five-year-old Queen of Scots left her native Scotland to begin her French upbringing as the future Queen of France and it was here that she learned the art of decorative needlework, continuing with the craft during the last twenty years of her exile and confinement in England. Many of her embroideries have survived and can be seen at Oxburgh Hall (Norfolk), the Victoria and Albert Museum and elsewhere, but many more have since disappeared. In this new study Michael Bath not only describes and illustrates the surviving embroideries, but also documents from early records a large number of those that have disappeared. Many of these embroidered panels use emblems, combining a symbolic image with a learned adage, and Professor Bath shows how, in their own day, these were believed to hold moral, political and religious messages which expressed the Catholic queen's values, purposes and intentions. For this reason we find records of them in the forgotten files of the Elizabethan secret services. Mary's emblematic embroideries shed new light on issues surrounding one of the most controversial figures in English and Scottish history. At the same time, this new study shows exactly what sources - prints, engravings, book illustrations - the embroiderers drew on for their patterns, and it includes the first full catalogue raisonne of all the known embroideries created by these two remarkable women. Bestandsnummer des Verkäufers CIN1904982360G
Anzahl: 1 verfügbar
Anbieter: The Oregon Room - Well described books!, Phoenix, OR, USA
paperback. Zustand: As New. 2008 UK large softbound 1st edition, clean & tight with only very light shelfwear, no markings found, not a remainder, a nice copy. Bestandsnummer des Verkäufers k0876
Anzahl: 1 verfügbar
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition. Bestandsnummer des Verkäufers 5995241
Anzahl: 6 verfügbar
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New. Bestandsnummer des Verkäufers 5995241-n
Anzahl: 7 verfügbar
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
Paperback. Zustand: New. Bestandsnummer des Verkäufers LU-9781904982364
Anzahl: Mehr als 20 verfügbar
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers CX-9781904982364
Anzahl: 15 verfügbar
Anbieter: ISD LLC, Bristol, CT, USA
paperback. Zustand: New. 1st. Bestandsnummer des Verkäufers 1881691
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 172 pages. 10.50x7.75x0.50 inches. In Stock. Bestandsnummer des Verkäufers __1904982360
Anzahl: 2 verfügbar
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
Zustand: New. Bestandsnummer des Verkäufers 5995241-n
Anzahl: 7 verfügbar