Focusing on Bridget Riley's newest body of works, this volume reflects the artist's exploration of curves to create paintings of great energy and movement. Accompanying an exhibition of new 'curvilinear' works at Timothy Taylor Gallery, London (June-July 2006), these paintings incorporate complex layers of flowing forms that interlock and move with one another.
Using a patch of colour that is similar to a brushmark, Riley's forms interrupt and threaten to break out from the picture plane, overhanging the frame to jostle and animate the visual field. Refining and developing this form in recent paintings, the artist's work offers an incredible melding of form and colour. Alongside over 20 full-colour illustrations, an in-depth essay by Paul Moorhouse examines the changes within Riley's work throughout her multi-decade career.Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Paul Moorhouse is an art historian and curator. He was Senior Curator at the National Portrait Gallery in London, previously serving as Senior Curator at Tate, where he curated a major Bridget Riley retrospective in 2003. He is also the author of Bridget Riley: A Very Very Person (Ridinghouse, 2019), the first biography of the artist, and other books on Riley.
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Zustand des Schutzumschlags: dj. First Edition. First edition. Hardcover. 48 pages. Exhibition catalog for a show that ran June 7 through July 15, 2006. Features an essay by Paul Moorhouse. Includes numerous color illustrations, checklist, list of publications (since 1998), and a checklist. A fine copy in blue cloth in a near fine dust jacket. Bestandsnummer des Verkäufers 191800
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Hardback. Zustand: New. This volume focuses on Bridget Riley's energetic 'curvilinear' works from a 2006 exhibition by Bridget Riley. The paintings incorporate complex layers of flowing forms that interlock and move with one another, reflecting the artist's exploration of curves to create paintings of great energy and movement. Using a patch of colour that is similar to a brush mark, Riley's forms interrupt and threaten to break out from the picture plane, overhanging the frame to jostle and animate the visual field. Refining and developing this form in recent paintings, the artist's work offers an incredible melding of form and colour. Featuring over 20 full-colour illustrations, this publication includes an in-depth essay by Paul Moorhouse examining the changes within Riley's work throughout her multi-decade career. Bestandsnummer des Verkäufers LU-9781905464012