Modern British Posters explores the interaction between modern art and graphic design in Britain throughout the twentieth century. A distinctive characteristic of modern society is the progressively more complete integration of art, design and architecture. The poster has been an integral expression of this phenomenon since its invention, in modern form, during the 1860s.
The poster was made possible by the development of industrial colour lithography and by the appearance of large hoardings as a consequence of metropolitan redevelopment. Furthermore, this co-incidence developed at precisely the same time as the birth of the cultural avant-garde.
Following the First World War, during a period of social and political realignment, major artists embraced the developing technologies of graphic reproduction to make commercial poster images and reach out to an audience beyond the complacent limits of the gallery. This required artists to embrace the possibilities of new technologies in print media, and was thus instrumental in transforming commercial art into graphic design. From this point forward, the poster and the artistic avant-garde have been inextricably linked. The poster reached a level of maturity in design just as the cultural reform of the 1920s was beginning. This synchronicity has established the poster as a particularly significant cultural object.
Every great artist in Britain contributed to this effort and Modern British Posters features the work of artists such as John Minton, Paul Nash, Hubert Williams, Edward McKnight Kauffer, Leonard Cusden, Edward Wadsworth and Tom Eckersley, amongst many others. These images speak broadly of people, landscape, technology and identity and cover themes such as transport, architecture, the seaside, accident prevention and popular culture.
In Britain, the graphic archive is dispersed amongst various institutions. This fragmentation means that, for practical purposes, the general story of British poster design remains to be told. As such Modern British Posters provides an important addition to the history of visual culture in Britain during the twentieth century.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Paul Rennie is Head of Context in Graphic Design at Central Saint Martins College of Art and Design, London. Paul and Karen Rennie are specialist collectors of twentieth century British art and design.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
EUR 4,01 für den Versand von Vereinigtes Königreich nach Deutschland
Versandziele, Kosten & DauerEUR 25,89 für den Versand von USA nach Deutschland
Versandziele, Kosten & DauerAnbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Bestandsnummer des Verkäufers GOR005440842
Anzahl: 1 verfügbar
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
Zustand: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Bestandsnummer des Verkäufers 1638041-6
Anzahl: 1 verfügbar
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 2.95. Bestandsnummer des Verkäufers G1906155976I2N00
Anzahl: 1 verfügbar
Anbieter: George Longden, Macclesfield, Vereinigtes Königreich
Hardback. Zustand: Very Good. Glazed boards. A clean, bright copy with a small bump at head of spine and an unobtrusive 20 mm closed split at head of front hinge. 285 x 235 mm. 192 pp. A beautifully illustrated survey of the mid-20th century British poster. Book. Bestandsnummer des Verkäufers HZ023
Anzahl: 1 verfügbar
Anbieter: Alison Carne Books and Ephemera, Canterbury, KENT, Vereinigtes Königreich
Hardcover. Zustand: Very Good. No Jacket. 1st Edition. First Edition. 4to. hardback with illustrated laminated covers. 191pp., profusely illustrated in colour. A clean copy with no markings or inscriptions. A Very Good Copy. Bestandsnummer des Verkäufers 00079
Anzahl: 1 verfügbar
Anbieter: Toscana Books, AUSTIN, TX, USA
Hardcover. Zustand: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. Bestandsnummer des Verkäufers Scanned1906155976
Anzahl: 1 verfügbar
Anbieter: Last Word Books, Olympia, WA, USA
Hardcover. Zustand: Good. A used book with light shelf wear and imperfections. Book is oversized and/or heavy. Additional postage may be required for shipping. Thank you for supporting Last Word Books and independent bookstores. Bestandsnummer des Verkäufers 210445683
Anzahl: 1 verfügbar
Anbieter: Dean Nelson Books, Gahanna, OH, USA
Bestandsnummer des Verkäufers 1280M
Anzahl: 1 verfügbar
Anbieter: Daedalus Books, Portland, OR, USA
Hardcover. Zustand: Near Fine. A nice, bright copy. ; Color Plates; 9 X 1 X 11 inches; 192 pages. Bestandsnummer des Verkäufers 314214
Anzahl: 1 verfügbar
Anbieter: HPB-Diamond, Dallas, TX, USA
hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Bestandsnummer des Verkäufers S_424066249
Anzahl: 1 verfügbar