The 1913 International Exhibition of Modern Art (better known as the Armory Show) marked a turning point in the history of American art and culture. Organised by a small group of American artists and presented in the huge space of the 69th Regiment Armory in New York City, this ambitious exhibition of 1,400 works is remembered as the moment when the American public was introduced to European avant-garde art. This outstanding interdisciplinary volume includes 31 contributions by eminent scholars, re-examining the 1913 exhibition in its historical and cultural context. They draw on contemporary developments in music, literature, and early film to evoke the wider social, political, and economic climate of the time. Over 320 illustrations reflect the richness of the show, shedding new light on the artists represented, and vividly evoking the public and media responses to this legendary exhibition.
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Marilyn Satin Kushner is Curator and Head of the Department of Prints, Photographs, and Architectural Collections at the New- York Historical Society. Kimberly Orcutt is Henry Luce Foundation Curator of American Art at the New-York Historical Society. Casey Nelson Blake is Professor of History and American Studies at Columbia University, NY, and the show's Senior Historian. Other contributors include: William C. Agee, Professor of Art History, Hunter College, City University of New York; Judith A. Barter, Field-McCormick Chair and Curator of American Art, The Art Institute of Chicago; Avis Berman, Writer and independent art historian; Daniel H. Borus, Professor of History, University of Rochester; Leon Botstein, President, Bard College; Music Director, American Symphony Orchestra; Conductor Laureate, Jerusalem Symphony Orchestra; and Editor of the The Musical Quarterly; Sarah Burns, Professor Emerita, Department of History of Art, Indiana University, Bloomington; Barbara Haskell, Curator of Early Twentieth Century Art, Whitney Museum of American Art; Susan Hegeman, Associate Professor of English, University of Florida, Gainesville; Susan G. Larkin, Independent art historian and curator; Doina Lemny, Attachee de conservation, Musee National d'Art Moderne, Centre Pompidou, Paris among others.
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hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Chapters by several authors. More than 350 illustrations. 512 pages. Thick folio, black cloth, d.w. New York: New-York Historical Society, (2013). A fine copy in fine dust wrapper. Bestandsnummer des Verkäufers 325130
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Hardcover. Black paper boards with silver gilt lettering, dark blue & color illustrated dust jacket, 512 pp., 350+ BW & color illustrations; weighs nearly 8 lbs. "The 1913 Armory Show is remembered as a turning point in the history of American art and culture. Marking its centenary, this groundbreaking publication offers fresh perspectives on this seminal event. Organized by a small group of American artists and presented in the huge space of the 69th Regiment Armory in New York City, this ambitious project brought together some 1,400 American and European works. It introduced the American public to European avant-garde painting and sculpture by artists such as Marcel Duchamp, Henri Matisse, and Pablo Picasso. The popular response and media sensation, as well as the deeper critical debates inspired by the show, made it one of the most important exhibitions ever held in the United States." - dust jacket description. VG/VG+ (slight curling to dust jacket front, book is as new). Bestandsnummer des Verkäufers 147701
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