Edgar Martins was initially commissioned by The New York Times to photograph the fallout from the US subprime mortgage crisis. Extending the project, he photographed across the United States in eight separate states and across sixteen different locations. These carefully researched sites exposed the extent and impact of the crisis on the US construction industry. Approaching the project as a photographic intervention into a crisis, the resulting images go beyond pure formal investigation or documentation. His interest is in summoning a disquieting conjunction of realism and fiction—"cutting in to the real."
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Hardcover. First edition, first printing. Near Fine quarter-clothbound hardcover with light shelf wear and spots of rubbing to the bottom edges of the boards; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "Edgar Martins was initially commissioned by The New York Times to photograph the fallout from the US subprime mortgage crisis. Extending the project, he photographed across the United States, at carefully researched sites that exposed the extent and impact of the crisis on the US construction industry. Approaching the project as a photographic intervention into a crisis, the resulting images go beyond pure formal investigation or documentation. The houses depicted in this series do not refer to just the particular. They are images of spatial assemblages, of kinds of stages on which a number of quite different (and perhaps incompatible) narratives might be enacted. These images, these houses, these ruins, reflect back at us the human constructs that we project and impose on them." Photographs by Edgar Martins; essays by Peter D. Osborne and Sacha Craddock. 108 pages; 65 color plates; 13.5 x 10.75 inches. Due to size and weight, international and expedited shipping will be more than quoted. Bestandsnummer des Verkäufers 20811
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