This is Marie. Excuse the hair – she’s had a long night. Armistead Maupin meets Ab Fab in this sparkling, sexy comedy of manners that celebrates the life and loves of Marie and a cast of LBGT characters. Marie is a girl with the gift of understanding, who is often misunderstood. At home and in her Catholic sixth form, she confounds family, friends and teachers with her innocent attempts to make everybody feel loved. As we follow Marie from the 1960s to the 1990s, we find out what it means to be a spirited young woman from a religious household who believes that maybe, just maybe, God doesn’t care what you do with your body as long as it makes you happy. Because really, what harm can come from loving people? With exuberant art and trademark lightness of touch, Jade Sarson shows us how attitudes to love, sexuality and religion have changed over the last fifty years. A beautiful Japanese-influenced graphic novel, this is the debut by the winner of the Myriad First Graphic Novel Competition 2014.
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Jade Sarson is a comic artist and illustrator, and winner of the Myriad First Graphic Novel Competition 2014 (with an extract from their book For the Love of God, Marie!). The prize was judged by novelist Meg Rosoff, critic and blogger Andy Oliver, cartoonists Woodrow Phoenix and Nicola Streeten and Myriad Creative Director, Corinne Pearlman. Sarson was nominated for Best Emerging Talent in the 2013 British Comic Awards. Jade graduated from the University of Lincoln in 2011 with a first class honours degree in Illustration. Their work is a fusion of British and Japanese influences, and combines digital and traditional techniques; it has been featured in Neo Magazine, Electric Bloom Webzine, and in anthologies such as Leek and Sushi and Parallel Lives. They are currently working on finishing the popular tea-inspired webcomic Cafe Suada. For the Love of God, Marie! was published by Myriad on 21 July 2016.
For the Love of God, Marie! tackles themes of sexism, body image, gender identity, racism, faith (and doubting it), family and the importance of educating people about sex and their bodies, and shows, with Sarson's exuberant art and trademark lightness of touch, how attitudes have changed over the last fifty years in Britain.
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