This is how diverse theatre is made in the UK and Ireland.
These are the experiences of gender, race, disability, class, poverty, age and region. African-Caribbean, British South Asian, British East Asian, Traveller/Romany, racism in theatre, racism in comedy, Islam, Welsh language, deaf/British Sign Language, gay, transgender, class through the prism of the council estates and poverty, women in the criminal justice system, rural, older people, the North, Wales, Scotland, Northern Ireland and Ireland, playwriting, criticism, theatre in education writing, education, funding, fringe, community, grassroots international theatre in the UK, alternative venues, Black Ticket Project, working men's clubs, theatres serving the community of all ages and backgrounds, marketing, academic, agents, representation and the language of respect.
42 voices across 40 interviews, published in association with the Other National Theatre, Morecambe, and the International Theatre Institute (Unesco).
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