Taddeo Di Bartolo: Siena's Painter in the Early Quattrocento (2) (Studies in Medieval and Early Renaissance Art History, Band 2) - Hardcover
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Taddeo di Bartolo, Siena's premier painter in the years around 1400, is the focus of a cultural history of a great Italian school in an understudied period. His patrons commissioned important fresco cycles and the most impressive polyptychs of the age. In part a travelogue, the text follows Taddeo (ca 1362-1422) from training in straitened times at Siena across central and northern Italy. Ten years of itinerancy drew him to various Tuscan centers, along the Ligurian coast from Genoa to Provence, probably to Padua, and into Umbria. About 1399 he resettled at Siena to rapidly become the preferred painter of his commune. His mural cycles made a greater imprint on Siena's civic iconography than has been acknowledged while his efficient Sienese shop produced outstanding panel paintings for, among others, the most dynamic religious orders. Until his last years he received grand commissions in and from beyond Siena. He drew a pope's portrait and was employed by a cardinal at Rome. Attention to his production methods shows how his busy shop ensured variety in numerous paintings for mid-level clients by a flexible design system. Taddeo's works, including rediscovered and reconstructed paintings, come alive in beautiful illustrations. This chronicle of an indefatigable and successful late medieval career positions the painter, his colleagues, and his patrons in their political, economic, and social circumstances. It provides new insights on Siena's artistic culture at the start of the Renaissance.
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Taddeo di Bartolo
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Taddeo Di Bartolo: Siena's Painter in the Early Quattrocento: Vol 2
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Hardcover. Zustand: Brand New. bilingual edition. 500 pages. Italian language. 10.16x5.51x12.83 inches. In Stock. Bestandsnummer des Verkäufers __1909400815
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TADDEO DI BARTOLO. Volume One - text. Volume Two - Appendices & illustrations.Siena's Painter in The Early Quattrocento.
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Taddeo di Bartolo Siena'a Painter in the Early Quattrocento
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Rilegato. Zustand: nuovo. Zustand des Schutzumschlags: nuovo. prima edizione. Taddeo di Bartolo Siena's Painter in the Early Quattrocento By Gail E. Solberg Taddeo di Bartolo, Siena's premier painter in the years around 1400, is the focus of a cultural history of a great Italian school in an understudied period. His patrons commissioned important fresco cycles and the most impressive polyptychs of the age. In part a travelogue, the text follows Taddeo (ca 1362-1422) from training in straitened times at Siena across central and northern Italy. Ten years of itinerancy drew him to various Tuscan centers, along the Ligurian coast from Genoa to Provence, probably to Padua, and into Umbria. About 1399 he resettled at Siena to rapidly become the preferred painter of his commune. His mural cycles made a greater imprint on Siena's civic iconography than has been acknowledged while his efficient Sienese shop produced outstanding panel paintings for, among others, the most dynamic religious orders. Until his last years he received grand commissions in and from beyond Siena. He drew a pope's portrait and was employed by a cardinal at Rome. Attention to his production methods shows how his busy shop ensured variety in numerous paintings for mid-level clients by a flexible design system. Taddeo's works, including rediscovered and reconstructed paintings, come alive in beautiful illustrations. This chronicle of an indefatigable and successful late medieval career positions the painter, his colleagues, and his patrons in their political, economic, and social circumstances. It provides new insights on Siena's artistic culture at the start of the Renaissance. Bestandsnummer des Verkäufers 014248
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Taddeo di Bartolo. Siena?s Painter in the Early Quattrocento, 2 voll.
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Rilegato. Zustand: nuovo. Turnhout, Brepols, 2025. Cm. 22.5×30, 2 voll., 1686 pp., 107 ill. b/n e 674 a col., ril. A new history of Sienese painting from 1380 to 1420. Taddeo di Bartolo, Siena?s premier painter in the years around 1400, is the focus of a cultural history of a great Italian school in an understudied period. His patrons commissioned important fresco cycles and the most impressive polyptychs of the age. In part a travelogue, the text follows Taddeo (ca 1362-1422) from training in straitened times at Siena across central and northern Italy. Ten years of itinerancy drew him to various Tuscan centers, along the Ligurian coast from Genoa to Provence, probably to Padua, and into Umbria. About 1399 he resettled at Siena to rapidly become the preferred painter of his commune. His mural cycles made a greater imprint on Siena?s civic iconography than has been acknowledged while his efficient Sienese shop produced outstanding panel paintings for, among others, the most dynamic religious orders. Until his last years he received grand commissions in and from beyond Siena. He drew a pope?s portrait and was employed by a cardinal at Rome. Attention to his production methods shows how his busy shop ensured variety in numerous paintings for mid-level clients by a flexible design system. Taddeo?s works, including rediscovered and reconstructed paintings, come alive in beautiful illustrations. This chronicle of an indefatigable and successful late medieval career positions the painter, his colleagues, and his patrons in their political, economic, and social circumstances. It provides new insights on Siena?s artistic culture at the start of the Renaissance. Bestandsnummer des Verkäufers 006895
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Taddeo di Bartolo. Siena's Painter in the Early Quattrocento. 2 volumes.
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Volume 1: 831 pages, no illustrations. Volume 2: 839 pages, 802 colour and 166 black & white illustrations. Hardback 30 x 23cms. ISBN: 9781909400818. A study of Sienese painting from 1380 to 1420, focused on the life and work of Taddeo di Bartolo. The first volume is divided into 20 chapters, exploring his early life, late trecento painting in Siena, his altarpieces, his time spent in Florence, Lucca, Pisa, Padua, Genoa, Volterra, San Gimignano and Liguria, his work on the cathedral, 'palazzo pubblico' and late civic commissions in Siena, his 'Madonna and Child' paintings, predellas, and polyptychs, his later drawings, and his legacy. Looking in particular at his assumption triptych for the Agrazzi at Montepulciano, his double-sided heptaptych for the Franciscans in Perugia, and his heptaptych for the Dominicans at Gubbio. The second volume contains the illustrations to the catalogue raisonne and 3 appendices on the contemporary reception of his work, transcriptions of archival documents, and a list of problematic attributions. Catalogue raisonné. Bestandsnummer des Verkäufers 121802
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