Spanning over 50 years of Bridget Riley’s career, this volume explores the dialogue between black-and-white and colour in the artist’s work.
Riley gained critical attention internationally for her black-and-white paintings during the mid-1960s, using elementary shapes to engage the eye by creating flux and rhythm within the pictorial field. Throughout the succeeding decades, Riley has continued her investigation into perception through related bodies of work in rich colour.
This volume accompanies a focused display at the Scottish National Gallery of Modern Art, Edinburgh (15 April 2016 – 16 April 2017), which tracks Riley’s work up to the recent re-introduction of a palette of black and white. It includes essays by Éric de Chassey and Frances Spalding as well as a historic interview with the artist by Robert Kudielka, which together contextualise Riley’s early developments and demonstrate how her latest paintings progress directly out of a rigorous engagement with colour.
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Éric de Chassey is Director General of the French National Institute of Art History (INHA) and Professor of Modern and Contemporary Art History at the École Normale Supérieure in Lyon, France. He previously served as Director of the Académie de France à Rome - Villa Médicis. Frances Spalding is an independent art historian, critic and biographer. Formerly Professor of Art History at Newcastle University, she was awarded a CBE in 2005 for services to literature. Her book on interwar English art was published in 2022.
Robert Kudielka is Professor Emeritus of Aesthetics and Philosophy of Art at the Hochschule der Künste in Berlin and a curator. He is a noted scholar on the works of Bridget Riley and has published numbers books on, and with, the artist.
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Anbieter: ANARTIST, New York, NY, USA
Hardcover without dustacket as issued, 96 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. Bestandsnummer des Verkäufers BrRiNa40
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Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
First Edition. First edition. Hardcover. 94 pages. Published in conjunction an exhibition that ran April 15, 2016 through April 16, 2017. Features a foreword by Lucy Askew and Simon Groom, essays by Frances Spalding and Eric de Chassey and the text of Robert Kudielka's 1978 conversation with Riley. Includes numerous illustrations and biographical notes compiled by Kudielka. A fine copy in paper covered boards with a cloth spine. No dust jacket as issued. A fresh copy. Bestandsnummer des Verkäufers 206521
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Anbieter: Colin Martin Books, Near Hull, EY, Vereinigtes Königreich
Hardcover. Zustand: Fine. 1st Edition. Qto., 96 pages, colour illustrated. Unused, a Fine copy. Bestandsnummer des Verkäufers 101922
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Anbieter: Librairie chemin des arts, PARIS, Frankreich
Couverture rigide. Zustand: Très bon. Bestandsnummer des Verkäufers MBR/M30525.1612
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