The acclaimed curator’s scrapbook celebration of the beauty of photography and the printed page
American critic and curator Vince Aletti has been collecting photographs printed on the pages of magazines and books since the 1970s. “For as long as I can remember,” he says, “one of the first things I do in a new apartment is pin pictures to the wall. It’s always been a way of claiming space, of making it my own. But even after I’ve settled in, I keep a wall where constellations of push-pinned images change regularly. Many of those pictures have been with me for decades; others are new—torn from the pages of the latest Artforum or i-D, or clipped from the sports section of the Times. Nearly all of those images come from or end up in one overflowing flat-file drawer in my East Village apartment.”
That drawer, with its hundreds of stacked tearsheets, newspaper clippings, gallery announcements and other ephemera, is documented in a new book entitled, simply and inevitably, The Drawer. Aletti’s 75 multilayered compositions are testimony to the author’s unique ability to voice the complexity and variety of desire, personal and collective histories, and the power of art to reflect and shape who we are.
Vince Aletti (born 1945) is a critic and curator based in New York. Previously the art editor and photography critic at the Village Voice from 1987 to 2005, he later wrote weekly exhibition reviews for the New Yorker and contributed regularly to other publications such as Artforum and Vogue Italia. He is the author of several books, including Issues: A History of Photography in Fashion Magazines and The Disco Files 1973–78.
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The Drawer presents seventy-five multi-layered compositions of of tear sheets, newspaper clippings, gallery announcements, and photographs collected by American critic and curator Vince Aletti, forming an immersive and intimate volume that reflects on collecting, curation, desire, and living with and among images.
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Anbieter: Moe's Books, Berkeley, CA, USA
Softcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. Some edgewear. Jacket has a tear at top of spine. Bestandsnummer des Verkäufers 116098
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Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USA
paperback. Zustand: Good. JUMBO. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK. Bestandsnummer des Verkäufers M1916041272Z3
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Anbieter: Bob's your uncle, Bradford, Vereinigtes Königreich
Soft cover. Zustand: New. 1st Edition. The acclaimed curator's scrapbook celebration of the beauty of photography and the printed page American critic and curator Vince Aletti has been collecting photographs printed on the pages of magazines and books since the 1970s. "For as long as I can remember," he says, "one of the first things I do in a new apartment is pin pictures to the wall. It's always been a way of claiming space, of making it my own. But even after I've settled in, I keep a wall where constellations of push-pinned images change regularly. Many of those pictures have been with me for decades; others are newtorn from the pages of the latest Artforum or i-D, or clipped from the sports section of the Times. Nearly all of those images come from or end up in one overflowing flat-file drawer in my East Village apartment." That drawer, with its hundreds of stacked tearsheets, newspaper clippings, gallery announcements and other ephemera, is documented in a new book entitled, simply and inevitably, The Drawer. Aletti's 75 multilayered compositions are testimony to the author's unique ability to voice the complexity and variety of desire, personal and collective histories, and the power of art to reflect and shape who we are. Vince Aletti (born 1945) is a critic and curator based in New York. Previously the art editor and photography critic at the Village Voice from 1987 to 2005, he later wrote weekly exhibition reviews for the New Yorker and contributed regularly to other publications such as Artforum and Vogue Italia. He is the author of several books, including Issues: A History of Photography in Fashion Magazines and The Disco Files 197378. Bestandsnummer des Verkäufers ABE-1742437578414
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Anbieter: ANARTIST, New York, NY, USA
Softcover, oversize with dustjacket and protective plastic overwrap; unpaginated; very good condition, except small hole punch to lower left corner of rear cover and 1-inch tear to covers at top at top and bottom of rear cover at spine edge and bottom of front cover at spine edge; ; no internal marks. Foreign shipping may be extra. Bestandsnummer des Verkäufers ViAlSP50
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Anbieter: Pazzo Books, Boston, MA, USA
Softcover. Zustand: Fine Condition. Fine copy in illustrated wraps. Size: Folio. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Photography; ISBN: 1916041272. ISBN/EAN: 9781916041271. Inventory No: 048763. Bestandsnummer des Verkäufers 048763
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Paperback. Zustand: New. American critic and curator Vince Aletti has been collecting photographs printed on the pages of magazines and books since the 1970s. For the very first time the hundreds of tearsheets, newspaper clippings, gallery announcements, and other ephemera stacked in a drawer of an antique flat file in his East Village apartment have been documented in the new book The Drawer. The seventy-five multi-layered compositions created by Aletti are a celebration of the beauty of photography and the printed page, as well as testimony of the author's unique ability to voice the complexity and variety of desire, personal and collective histories, and the power of art to reflect and shape who we are. Bestandsnummer des Verkäufers LU-9781916041271
Anzahl: 1 verfügbar
Anbieter: Canonymale, Pensacola, FL, USA
Soft cover. Zustand: New. HAND SIGNED, no personal inscription. American critic and curator Vince Aletti has been collecting photographs printed on the pages of magazines and books since the 1970s. "For as long as I can remember," he says, "one of the first things I do in a new apartment is pin pictures to the wall. It's always been a way of claiming space, of making it my own. But even after I've settled in, I keep a wall where constellations of push-pinned images change regularly. Many of those pictures have been with me for decades; others are new?torn from the pages of the latest Artforum or i-D, or clipped from the sports section of the Times. Nearly all of those images come from or end up in one overflowing flat-file drawer in my East Village apartment." That drawer, with its hundreds of stacked tearsheets, newspaper clippings, gallery announcements and other ephemera, is documented in a new book entitled, simply and inevitably, The Drawer. Aletti's 75 multilayered compositions are testimony to the author's unique ability to voice the complexity and variety of desire, personal and collective histories, and the power of art to reflect and shape who we are. -. Signed by Author(s). Bestandsnummer des Verkäufers ABE-1757698761515
Anzahl: 1 verfügbar
Anbieter: Acadia Art & Rare Books. Est. 1931, Toronto, ON, Kanada
Paper wrap. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. Softcover paper (photographic) wrap with complete d/j. Tall folio. Unpaginated (roughly 125 pp). Illustrated entirely throughout with full colour full-page photographic reproductions of compositions created by the artist from ephemera he has been collecting since the 1970s.ÂAn exhibition catalogue for a show of the same title that took place at SPBH Space (Milan) in 2022. Text block and wrap are very lightly bumped in the corners but are otherwise clean, bright, unmarked, and square with a strong binding. The dustjacket (photographic paper) has some very slight shelf wear and bumping. Fine condition overall. Bestandsnummer des Verkäufers 67472
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