Everything sings in these pages, from birds to buildings who remember the children who once lived there. The work is a soundtrack of ghosts, a world of recovery where the dead sit on deckchairs and the living compare themselves to chalk outlines on the pavement. Powerful, startling, and utterly original these prose poems have a pulse. Hardwick is a master of the form. Angela Readman Poems in The Lithium Codex shape pages of a book of melancholy; gently fabricated soft prose blocks of longings and losings; lyric attempts – doomed to fail but, as failure, always also positively self-contained – to home in on and perhaps also to shrink from, or simply to understand, the painful distance or chasm agape between self and world, I and other, psyche and language, through beautiful, thoughtful, fragile phenomenological laments. Memoryscapes, mindscapes, drifting, to-ing and fro-ing in private and public time, without a real desire for origo or destination, or even authorship and/or companionship, always torn by tension of phobia and philia, processing the process of being, remembering, writing itself. Ágnes Lehóczky While each poem of The Lithium Codex gives the impression of being improvised, what impresses is how skilfully the effects are realised. It is not just the inventiveness of the writing but its precision. These prose poems have the authority of a classic. David Mark Williams
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Oz Hardwick lives in York, England. He is a poet, photographer, musician, and academic, whose work has been widely published in international journals and anthologies. He has published nine full collections and chapbooks, including Learning to Have Lost (Canberra: IPSI, 2018) which won the 2019 Rubery International Book Award for poetry, and most recently the prose poetry sequence Wolf Planet (Clevedon: Hedgehog, 2020). He has also edited or co-edited several anthologies, including The Valley Press Anthology of Prose Poetry (Scarborough: Valley Press, 2019) with Anne Caldwell. He has held residencies in the UK, Europe, the US and Australia, and has performed internationally at major festivals and intimate soirees. He is Professor of Creative Writing at Leeds Trinity University.
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Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Everything sings in these pages, from birds to buildings who remember the children who once lived there. The work is a soundtrack of ghosts, a world of recovery where the dead sit on deckchairs and the living compare themselves to chalk outlines on the pavement. Powerful, startling, and utterly original these prose poems have a pulse. Hardwick is a master of the form. Angela ReadmanPoems in The Lithium Codex shape pages of a book of melancholy; gently fabricated soft prose blocks of longings and losings; lyric attempts doomed to fail but, as failure, always also positively self-contained to home in on and perhaps also to shrink from, or simply to understand, the painful distance or chasm agape between self and world, I and other, psyche and language, through beautiful, thoughtful, fragile phenomenological laments. Memoryscapes, mindscapes, drifting, to-ing and fro-ing in private and public time, without a real desire for origo or destination, or even authorship and/or companionship, always torn by tension of phobia and philia, processing the process of being, remembering, writing itself. Ágnes LehóczkyWhile each poem of The Lithium Codex gives the impression of being improvised, what impresses is how skilfully the effects are realised. It is not just the inventiveness of the writing but its precision. These prose poems have the authority of a classic. David Mark Williams. Bestandsnummer des Verkäufers 9781916480605
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