An inspiring memoir about the art and the gift of reading, this compilation of essays shares Andrew Relph's life story via the books the author has encountered, beginning with those he read as if his life depended on it after struggling with a reading disability. From Amis to Bellow, Blake to Gallico, and Shakespeare to Woolf, these explorations ask why it is that books are so important to us and why our relationships with writers and characters can be as vital as any we form in real life. As it studies the psychological solace of books, this narrative also introduces classic and contemporary literature guaranteed to intrigue all book lovers.
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Andrew Relph is a clinical psychologist and a psychotherapist with an interest in learning disabilities.
Title Page,
Copyright,
not drowning, reading,
about the author,
prelude,
the stolen child,
sally and miriam,
shopping with clara,
Reading and Writing,
intermezzo,
ignoring icarus,
did you read doctor zhivago,
hamlet,
my mother's book,
being herzog,
brothers and fathers,
the space in the story,
coda,
sources,
acknowledgements,
the stolen child
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.
–W.B. Yeats, 'The Stolen Child'
I
Ireland. Here lay the consolation of the land itself. I had always somehow known that in this place the very soil would be sympathetic.
The Dingle Peninsula is approached from across the water. It is first sighted by the visitor approaching from the south-east across the broad bay of the same name. Through mist or driving rain, the late afternoon sunlight can make the finger of land stretching out towards America appear as in a dream. So it was, that late September day. I saw it through the windscreen wipers, through the rain, and through sunlight that reflected sharply off the ocean. Through the thousand shimmering tears, I saw the low green hills, dreamlike, suspended between grey sky and grey ocean.
The town was small and banked up on the bay as if it had been washed there by a particularly high tide. By the time we had explored the harbour, the rain had stopped and darkness had begun to settle quietly over the strand. The buildings of the town were losing their colour and the lights were coming on. The house where we would stay was barely fifteen minutes drive away. First we would have dinner in town.
The restaurant was yellow with light and noisy with people as we entered. I was dimly aware of the protest contained in the signs and menus that were written in Irish. I asked the waiter about it and she said that in this settlement the official language was Irish. English, it seemed, was tolerated.
In the black night, we navigated the four miles to the house. It was illuminated only by the dim light over the front door. To me it was unexpectedly modern in its construction. The tourist office in Dublin had said it was on castle lands and I had impulsively asked them to book a room. Shown upstairs with our heavy suitcases, we were soon in bed; weary travellers with a day full of sensations. When the lights were out, I lay on my back retracing our journey. It was a night when the air itself seemed black.
Four hours later I awoke from a dream and everything had changed. The curtains were illuminated from without. The careless gap between the drapes sent a skein of colourless light across the end of the bed. I pulled myself up on my elbows, orienting myself. Ireland, yes; Dingle, yes; the bed and breakfast. And the light? Unmistakably the full moon at its zenith. My chest and scalp felt swollen and tingling with sensation. I had become sharply awake, as if primitively I knew instant action was required. I sat peering from the headboard, arrested by the moonlight on the mountain peaks of my feet and, next to me, the sleeping form of my companion. My body was oddly still, in comparison to my mind, which urgently clung first to the emotion and then to the images from which I'd woken.
I had been at the base of a medieval scaffolding set up to execute peopl
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Paperback. Zustand: new. Paperback. As a child, Andrew had a reading disability; now he is a psychoanalyst, and professionally adept in the art of conversation. Not Drowning, Reading is a work of literary non-fiction - a memoir about the art and the gift of reading.As a child, Andrew had a reading disability; now he is a psychoanalyst, and professionally adept in the art of conversation. Not Drowning, Reading is a work of literary non-fiction - a memoir about the art and the gift of reading.Relph's essays show how one might map a life through reading. From Amis to Bellow, Blake to Herzog, and Shakespeare to Woolf, these essays ask why it is that books are so important to us, and why our relationships with authors and characters can be as vital as any we form in 'real life'. As a child, Andrew had a reading disability; now he is a psychoanalyst, and professionally adept in the art of conversation. Not Drowning, Reading is a work of literary non-fiction a memoir about the art and the gift of reading. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781921696800
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