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9781933354507: Toronto Noir (Akashic Noir)

Inhaltsangabe

Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.

Brand-new stories by: RM Vaughan, Nathan Sellyn, Ibi Kaslik, Peter Robinson, Heather Birrell, Sean Dixon, Raywat Deonandan, Christine Murray, Gail Bowen, Emily Schultz, Andrew Pyper, Kim Moritsugu, Mark Sinnett, George Elliott Clarke, Pasha Malla, and Michael Redhill.

From the introduction by Janine Armin & Nathaniel G. Moore:

"In 1834, York, city of mud and canons, became Toronto, city of trauma and free refills. Depending on what side of the CN Tower you stand under, Toronto is histrionic or claustrophobic, gelling or uncool. It's the 1967 Stanley Cup champion Maple Leafs; it's a fading World Series Blue Jays souvenir cup. It's gaggles of language-starved landfill stalkers who text and Facebook and spit wads of bubble gum into the world's cleanest tarmac . . .

Toronto Noir lets a bit of moonlight contour the ever-mobile city, allowing a glimpse, a brief catch and release. Sentimentality and deception bring these stories together. Dog-ear this book, use it as foreplay for further encounters on your coffee table. Sift through the stiff pages written by people who inform and present their city in a way no double-decker gimmick bus whizzing past the Rogers center and Casa Loma could ever hope to do. It is in our emergency rooms and carrying our groceries home that we are

Torontonians."

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Über die Autorin bzw. den Autor

JANINE ARMIN writes regularly for the Toronto Globe & Mail and contributes to BookForum, the Village Voice, and Maisonneuve. She is the coeditor of Toronto Noir.

Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.

Toronto Noir

Akashic Books

Copyright © 2008 Akashic Books
All right reserved.

ISBN: 978-1-933354-50-7

Contents

IntroductionPART I: EAST YORK ENDERS.................................................................17Gail Bowen Dundas Square The King of Charles Street West...............................38Peter Robinson The Beach Walking the Dog...............................................60George Elliott Clarke East York Numbskulls.............................................75Pasha Malla Little India FilmsongPART II: THE MILD WEST...................................................................89Heather Birrell Bloor West Village Wanted Children.....................................109Sean Dixon Humber Loop Sic Transit Gloria at the Humber Loop...........................126Ibi Kaslik Dufferin Mall Lab Rats......................................................137Nathan Sellyn Toronto Airport The Emancipation of Christine AlpertPART III: ROAD TO NOWHERE................................................................155Michael Redhill Distillery District A Bout of Regret...................................169RM Vaughan Yorkville Brianna South.....................................................180Raywat Deonandan University of Toronto Midnight Shift..................................194Christine Murray Union Station Can't Buy Me LovePART IV: FLATLAND FLATLINE...............................................................217Andrew Pyper Queen West Tom............................................................228Kim Moritsugu St. Lawrence Market A Taste of Honey.....................................239Emily Schultz Parkdale Stalling........................................................254Mark Sinnett CN Tower Sick Day.........................................................274About the Contributors

Introduction

To Noir a Good Night

In 1834, York, city of mud and canons, became Toronto, city of trauma and free refills. Depending on what side of the CN Tower you stand under, Toronto is histrionic or claustrophobic, gelling or uncool. It's the 1967 Stanley Cup champion Maple Leafs; it's a fading World Series Blue Jays souvenir cup. It's gaggles of language-starved landfill stalkers who text and Facebook and spit wads of bubble gum onto the world's cleanest tarmac.

With its simple gestures, a stolen blue bike, a red balloon caught by a fraying string on Oakland Avenue, Toronto bids for more than the Olympics. Frustrated and frustrating, it teems with forensic experts and film-set extras trying to interpret our troubled conscience.

Even though it's North America's most multicultural metropolis outside of Miami, it's more commonly known for its cold winters, strong beer, and variety of transportation options. Perhaps that's why it's so disorienting. As Gail Bowen notes in "The King of Charles Street West," Come in and get lost is strategically emblazoned on Toronto's landmark five-and-dime Honest Ed's. The Toronto Transit Commission has moved over twenty-five billion people since 1921, almost four times the world's population. And while the transit monopoly searches for its next light rail train, others search for their next breath, meal, or kiss.

Toronto Noir lets a bit of moonlight contour the ever mobile city, allowing a glimpse, a brief catch and release. Sentimentality and deception bring these stories together. Dog-ear this book, use it as foreplay for further encounters on your coffee table. Sift through the stiff pages written by people who inform and present their city in a way no double-decker gimmick bus whizzing past the Rogers Centre and Casa Loma could ever hope to do. It is in our emergency rooms and carrying our groceries home that we are Torontonians.

Some of our youth emulate high-octane luxury-car drag racing video games and kill taxi cab drivers one day shy of becoming a Canadian citizen. Others try and steal Michael Stipe's microphone when he passes it down to the audience during a free concert at Dundas Square. Some nights we listen and judge, while others, the air has a pulse and bodies clog the carb-heaving arteries of concrete. Some nights, living isn't enough and words are all we have; they blow them out without leaving a note or forwarding address.

Some leave us, while others like Margaret Atwood, Michael Ondaatje, and Ken Dryden carry the torch. The city is haunted by ghosts that sometimes get parks named after them: Gwendolyn MacEwan, Oscar Peterson, Jeff Buckley, Timothy Findley. Musically, Toronto spars with New York. The Bare-naked Ladies, Broken Social Scene, Ron Sexsmith, Gordon Lightfoot, Glass Tiger, Platinum Blonde, and Triumph all got their starts here.

Not that anybody knows. Toronto grounds itself in its unknowing.

Working and living under the Great North, Toronto Noir's authors share the weight of the unseen and the dying. Music binds Mark Sinnett to self-erasure and Peter Robinson inflects domestic problems with the twist of a foreign knife. Heather Birrell takes us to Ecuador and shows us how maternal longing can be an evil thing.

"A writer uses a pen instead of a scalpel or blowtorch," says Ondaatje. Here, Peter Street's clubland spawns nightly crime-scene sound bites. In the West End, bucolic mansions are usurped by halfway houses. Bollywood screenings warm up Little India on murderously cold winter nights, while cadavers conceal their wares in cemetery-riddled East York.

In the end, physical acts and written acts share a parasitic need to enjoy and to tolerate. So clash away, city by the lake, it all comes down to communal passions: crimping your hair, making deviled eggs, varnishing the deck, not calling someone back, ever.

These stories capture encounters that happen every day. They resurrect the brutish moments displaced by high school graduations and taxi strikes, preserve them in metaphor, wrap them in gauze. Except here we let the carnivorous parchment swell heavy: a panting mascot, tied outside a bank, awaiting the return of its owner.

Come in, and get lost.

Janine Armin & Nathaniel G. Moore Toronto, Ontario February 2008

(Continues...)


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