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Collaborative poetry — poems written by one or more people — grew out of word games played by French surrealists in the 1920s. It was taken up a decade later by Japan’s Vou Club and then by Charles Henri Ford, who created the chainpoem, composed by poets who mailed their lines all over the world. After WW II, the Beat writers’ collaborative experiments resulted in the famous Pull My Daisy. The concept was embraced in the 1970s by feminist poets as a way to find a collective female voice. Yet, for all its rich history, virtually no collections of collaborative poetry exist. This exhilarating anthology remedies the omission. Featured are poems by two, four, even as many as 18 people in a dizzying array of forms: villanelles to ghazals, sonnets to somonkas, pantoums to haiku, even quizzes, questionnaires, and other nonliterary forms. Collaborators’ notes accompany many of the poems, giving a fascinating glimpse into the creative process.
This is an exhilarating anthology remedying the clear lack of collaborative poetry collections. Collaborative poetry grew out of word games played by Surrealists in the 1920s and taken up later by Japan's Vou Club and then by Charles Henri Ford, who created the chainpoem, composed by poets who mailed their lines all over the world. After WWII, the Beats' collaborative experiments resulted in the famous "Pull My Daisy". The concept was embraced in the 1970s by feminist poets as a way to find a collective female voice. Yet, for all its rich history, virtually no collections of collaborative poetry exist. This exhilarating anthology remedies this stark omission. Featured are poems by as many as 18 people in a dizzying array of forms: villanelles to ghazals, sonnets to somonkas, pantoums to haiku, even quizzes, questionnaires and other nonliterary forms. Collaborators' notes accompany many of the poems, giving a fascinating glimpse into the creative process.
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Anbieter: ZBK Books, Carlstadt, NJ, USA
Zustand: acceptable. Used book - May contain writing, notes, highlighting, bends or folds. Text is readable, book is clean, and pages and cover mostly intact. May show normal wear and tear. Item may be missing CD. May include library marks. Fast Shipping. Bestandsnummer des Verkäufers ZWM.628Q
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paperback. Zustand: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes). Bestandsnummer des Verkäufers 000841007U
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Anbieter: Ergodebooks, Houston, TX, USA
Softcover. Zustand: Good. Collaborative poetry poems written by one or more people grew out of word games played by French surrealists in the 1920s. It was taken up a decade later by Japans Vou Club and then by Charles Henri Ford, who created the chainpoem, composed by poets who mailed their lines all over the world. After WW II, the Beat writers collaborative experiments resulted in the famous Pull My Daisy. The concept was embraced in the 1970s by feminist poets as a way to find a collective female voice. Yet, for all its rich history, virtually no collections of collaborative poetry exist. This exhilarating anthology remedies the omission. Featured are poems by two, four, even as many as 18 people in a dizzying array of forms: villanelles to ghazals, sonnets to somonkas, pantoums to haiku, even quizzes, questionnaires, and other nonliterary forms. Collaborators notes accompany many of the poems, giving a fascinating glimpse into the creative process. Bestandsnummer des Verkäufers SONG1933368187
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Anbieter: 369 Bookstore _[~ 369 Pyramid Inc ~]_, Dover, DE, USA
Softcover. Zustand: Good. Collaborative poetry ? poems written by one or more people ? grew out of word games played by French surrealists in the 1920s. It was taken up a decade later by Japan?s Vou Club and then by Charles Henri Ford, who created the chainpoem, composed by poets who mailed their lines all over the world. After WW II, the Beat writers? collaborative experiments resulted in the famous Pull My Daisy. The concept was embraced in the 1970s by feminist poets as a way to find a collective female voice. Yet, for all its rich history, virtually no collections of collaborative poetry exist. This exhilarating anthology remedies the omission. Featured are poems by two, four, even as many as 18 people in a dizzying array of forms: villanelles to ghazals, sonnets to somonkas, pantoums to haiku, even quizzes, questionnaires, and other nonliterary forms. Collaborators? notes accompany many of the poems, giving a fascinating glimpse into the creative process. Bestandsnummer des Verkäufers AMPLE1933368187
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