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In 1950s America there were neither likely nor logical paths for a photographer. Family man, optician, photographer and avid reader, Ralph Eugene Meatyard found himself in the midst of a cultural and philosophical movement in Lexington, Kentucky, which at that time included such figures as Thomas Merton, Wendell Berry and Guy Davenport. Through the camera, Meatyard explored and created a fantasy world of dolls and masks, where his family members played the central roles on an ever-changing stage. Dolls and masks opens the door on a decade of rich experimentation, presenting 55 mostly unseen works from the artist.
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Anbieter: H.S. Bailey, Fort Myers, FL, USA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Fine. Meatyard, Ralph Eugene (photographs by) (illustrator). 1st Edition. no edition or printing stated only copyright date 2011 - assume 1st, a tiny black remainder dot to top edge of text block near binding - slight rubbing to bottom corners of spine and bottom corners of boards, dj now enclosed in mylar wrap, black & white photographs reproduced full page. Bestandsnummer des Verkäufers FSR-804-B
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Anbieter: Yves Grégoire, Saint-Grégoire, Frankreich
Couverture rigide. Zustand: Comme neuf. TEXTE EN ANGLAIS-132 PAGES-23,5 CM X 26 CM-CATALOGUE DES EXPOSITIONS: THE ART INSTITUTE OF CHICAGO JULY 2 SEPTEMBER 25 2011, DE YOUNG MUSEUM SAN FRANCISCO OCTOBER 8 2011 FEBRUARY 26 2012, PHILADELPHIA MUSEUM OF ART MAY 19 AUGUST 5 2012-JAQUETTE-TRES LEGERS IMPACTS EN MARGE SUP DE JAQUETTE SINON ETAT NEUF-(400D). Bestandsnummer des Verkäufers ABE-1689959830838
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Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
First edition. Hardcover. First printing. 129 pages. Published in conjunction with a traveling show that began at The Art Institute of Chicago and then went on to San Francisco and Philadelphia. Text by Eugenia Parry and Elizabeth Siegel. Includes numerous black and white images. A very fine copy in a very fine dust jacket. As new and still in the publisher's shrinkwrap. A beautifully printed book. Bestandsnummer des Verkäufers 170852
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Anbieter: Books Unplugged, Amherst, NY, USA
Zustand: New. Buy with confidence! Book is in new, never-used condition 2.15. Bestandsnummer des Verkäufers bk1934435333xvz189zvxnew
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Anbieter: Save With Sam, North Miami, FL, USA
hardcover. Zustand: New. 2.2000. Bestandsnummer des Verkäufers VIB1934435333
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Anbieter: Toscana Books, AUSTIN, TX, USA
Hardcover. Zustand: very good. Purchase pre-owned books for prompt service and customer satisfaction. Bestandsnummer des Verkäufers UnScanned1934435333
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Anbieter: Grumpys Fine Books, Tijeras, NM, USA
Hardcover. Zustand: very good. little wear and tear. Bestandsnummer des Verkäufers Grumpy1934435333
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Anbieter: Iridium_Books, DH, SE, Spanien
Zustand: Used - Good. Bestandsnummer des Verkäufers 9781934435335
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Anbieter: Vincent Borrelli, Bookseller, Albuquerque, NM, USA
Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. Price is net to all; promotional discounts do not apply. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE. First edition, first printing. Limited edition of 30 copies with a contemporary gelatin silver print ("Untitled 1962"), signed and numbered from the artist's estate by Christopher Meatyard. The print and book are enclosed in a cloth-covered clamshell box. Hardcover. Cloth, with tipped-in plate on cover. Photographs by Ralph Eugene Meatyard. Essays by Eugenia Parry and Elizabeth Siegel. 144 pp., with 55 duotone plates. 10 x 9 inches. Published on the occasion of an exhibition at The Art Institute of Chicago, and traveling to the De Young Museum, San Francisco, and the Philadelphia Museum of Art. New in publisher's packaging. From the publisher: "In 1950s America there were neither likely nor logical paths for a photographer. Family man, optician, photographer and avid reader, Ralph Eugene Meatyard found himself in the midst of a cultural and philosophical movement in Lexington, Kentucky, which at that time included such figures as Thomas Merton, Wendell Berry and Guy Davenport. Through the camera, Meatyard explored and created a fantasy world of dolls and masks, where his family members played the central roles on an ever-changing stage. His monograph, The Family Album of Lucybelle Crater, published posthumously in 1974, recorded his wife and family posed in various disquieting settings, wearing masks and holding dolls and evoking a penetrating emotional and psychological landscape. The book won his work critical acclaim and has been hugely influential in the intervening decades. Dolls and Masks opens the doors on the decade of rich experimentation that immediately preceded the production of his final opus, The Family Album of Lucybelle Crater. Published to coincide with an exhibition at the Art Institute of Chicago, this handsome book presents 55 mostly unseen works from the Meatyard Archive. Essays by writer and historian Eugenia Parry and curator Elizabeth Siegel greatly expand our understanding of Meatyard's elusive and captivating genius and set the stage for a foray into this unknown work of one of the century's most intriguing photographers. Ralph Eugene Meatyard (American, 1925-1972) attended Williams College as part of the Navy's V12 program in World War II. Following the war, he married, became a licensed optician, and moved to Lexington, Kentucky. When the first of his three children was born, Meatyard bought a camera to make pictures of the baby. Photography quickly became a consuming interest. He joined the Lexington Camera Club, where he met Van Deren Coke, under whose encouragement he soon developed into a powerfully original photographer. Meatyard used still images to record things most often reserved for moving images, such as the motion on subjects in an otherwise solid setting, scenes part sharp and out-of-focus, children and others sometimes masked, in seemingly normal, yet oddly disquieting, situations. His photographs create a world of mystery and one concerned with the ineffability of reality. Meatyard's work is housed at the Museum of Modern Art, George Eastman House in Rochester, New York, Smithsonian Institution and many other important collections." Signed by Author. Bestandsnummer des Verkäufers 108106
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