Armand Gervase has it all. He is a famous artist, his paintings are hung in national galleries, and he is celebrated worldwide. His best-known painting, depicting an alluring Egyptian woman about to murder her lover, is known for its minute, historic detail, yet Armand has no experience with Egypt's ancient past . . . or does he? Rejecting the idea of heaven and hell, soul and spirit, Armand embraces a life of decadence which allows him the freedom to act as he pleases - until he meets the seductive and hypnotic Princess Ziska. Haunted by strange and distant memories of her, Armand attempts to unravel her mystery, only to discover his memories of her are centuries old - and she looks terrifying similar to the female in his celebrated painting. How can this be? Has he fallen in love with a ghost, or is there something more sinister lurking behind Ziska's hypnotic eyes? A supernatural tale of reincarnation, seduction, and revenge, Ziska was a bestseller upon its publication in 1897. In the new introduction to this edition, Curt Herr examines the novel in relation to the other two great Gothic bestsellers of 1897, Bram Stoker's Dracula and Richard Marsh's The Beetle, and calls for a reconsideration of Corelli as a major figure in Victorian popular culture.
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As the most widely read English novelist of her time, Marie Corelli outsold Arthur Conan Doyle, Rudyard Kipling and H.G. Wells. Her works were beloved by Queen Victoria, and she published 25 novels in 29 years. Although she wrote with the last name Corelli, she was born Mary Mackay and spoke no Italian, but often pretended to do so. An ardent preservationist, she donated funds to help restore and maintain the 17th century buildings that have come to define the town of Stratford-upon-Avon. She often flouted society's expectations and lived with a beloved female companion to whom she left her entire estate upon her death. Today her works are largely ignored by scholars, but they nonetheless continue to delight the scrupulous reader who finds them.
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