Hardcover. Zustand: Fine. Exhibition Catalogue. Quarto. 12 1/4 x 10 3/4". 124pp. Nicely illustrated with b&w plates. Bestandsnummer des Verk�ufers 56292

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Rodin / Sugimoto

Rodin, Auguste & Sugimoto, Hiroshi

Verlag: Gagosian Gallery, Paris, 2011

ISBN 10: 1935263374 ISBN 13: 9781935263371

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31 x 27 cm 124 pp with b&w illustrations throughout. Hbk. fine copy. Bestandsnummer des Verk�ufers 27833

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Rodin / Sugimoto

Wayne, Kenneth

Verlag: Gagosian Gallery, 2011

ISBN 10: 1935263374 ISBN 13: 9781935263371

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Hardcover without dustjacket as issued, 124 pages, in English and French; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. Bestandsnummer des Verk�ufers RoWaGa85

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Rodin - Sugimoto

Wayne, Kenneth; Auguste Rodin; Hiroshi Sugimoto

Verlag: Gallery, 2011

ISBN 10: 1935263374 ISBN 13: 9781935263371

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hardcover. Zustand: Very Good. No dust jacket as issued No dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized. Bestandsnummer des Verk�ufers mon0000341831

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Rodin | Sugimoto

Kenneth Wayne

Verlag: Gagosian Gallery, 2011

ISBN 10: 1935263374 ISBN 13: 9781935263371

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Hardcover. Zustand: Fine. No jacket. As new. Still shrinkwrapped. Bestandsnummer des Verk�ufers 106380

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Auguste Rodin and Hiroshi Sugimoto: Rodin - Sugimoto (Gagosian Gallery)

SUGIMOTO, Hiroshi, RODIN, Auguste, WAYNE, Kenneth

Verlag: Gagosian Gallery, Paris, 2011

ISBN 10: 1935263374 ISBN 13: 9781935263371

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Anbieter: Vincent Borrelli, Bookseller, Albuquerque, NM, USA

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Hardcover. Zustand: New. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated paper covered boards; no dust jacket as issued. Sculpture by August Rodin. Photographs by Hiroshi Sugimoto. Texts (in English and French) by Kenneth Wayne. Includes a selected chronology on Rodin. 124 pp., with four-color and black-and-white plates throughout, including numerous insitu illustrations of the exhibition. 12-1/4 x 10-3/4 inches. New in publisher's shrink wrap. From the publisher: "Auguste Rodin brought monumental public sculpture forward into the modern era. Although educated in the academic traditions and idealized subjects of classical and Renaissance sculpture, he embraced truth to nature as his artistic credo. His uncanny ability to imbue inert substances with movement and feeling reveals the idiosyncrasies and psychological depths of the human subjects that he portrayed. His agile use of form and the bravura of his modeling in pursuit of turbulent, light-catching surfaces have established him as one of the progenitors of modern sculpture. Three monumental sculptures spanning the last thirty years of Rodin's career represent the force and vigor of his approach, which emphasized the quality of flesh while suggesting emotion through detailed, textured surfaces and the interplay of light and shadow upon them. The Three Shades (c. 1880), from the private collection of Iris Cantor, is an introspective group study in which the standing figure of Adam from The Gates of Hell is repeated in shifting perspective; Monument to Victor Hugo (1897), on loan from the renowned Iris and B. Gerald Cantor Foundation, is a stirring meditation on artist and muse, a roiling figure composition that depicts the great artist deep in thought; The Whistler Muse (1908), on loan from the Mus�e Rodin, was intended to honour a commission in tribute to the American painter James Abbott McNeill Whistler who had requested not to be physically represented - in response Rodin chose the symbolic image of the muse. Rendered like a classical fragment, the armless female figure attempts to climb a mountain in an allegory of the challenge of artistic creation. Rodin's sculptures are shown here in unexpected and unprecedented combination with a series of photographs by Hiroshi Sugimoto, one of the world's most admired living photographers. Sugimoto works with time as his clay, exploring the relation of images sculpted in light and shade to the evolution of history. For the series Stylized Sculpture (2007), he selected distinctive garments by celebrated couturiers from the collection of the Kyoto Costume Institute -- from Vionnet's precociously modern T-dress and Balenciaga's wasp-waisted billowing ensemble to Yves St Laurent's strict geometric Mondrian shift and Issey Miyake's sail-like slip. Each in its own way represents a pivotal moment in twentieth century fashion history, its corporeal dynamics crystallized by the steady gaze of the camera lens. Shot in chiaroscuro on headless mannequins, and thus removed from the context of the human body and its emotive associations and specificities, the garments reveal their pure formal qualities in terms of dramatic contrasts in form, volume, and surface. Sugimoto captures the abstract, sculptural nature intrinsic to the history of clothing -- a history as ancient as humanity itself -- and in so doing, depicts the eternity beyond the evanescence.". Bestandsnummer des Verk�ufers 108194

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