There’s No Place Like Time is a strange beast: a fictional catalogue of a real retrospective of experimental films by a videographer who never existed.
A collection of critical and biographical essays, stills, and reminiscences about Alana Olsen’s (a character who first appeared in Lance Olsen’s novel Theories of Forgetting) powerful body of work produced in relative anonymity, There’s No Place Like Time remembers an oeuvre of fewer than 30 videos that span roughly four decades and have influenced artists as varied as Lars von Trier, Douglas Gordon, and Martin Arnold.
Author Lance Olsen and filmmaker Andi Olsen have already begun staging Alana Olsen’s faux retrospective in galleries in Berlin and elsewhere. Enter those spaces and one enters a three-dimensional novel: a "real" place dedicated to the"unreal" career of one of America’s most unjustly overlooked artists. From her videos and the language surrounding them (including this catalogue) one is invited to infer Alana’s character, development, obsessions, and relationship with her equally fictive daughter, Aila, who curates the exhibits.
In one sense, then, There’s No Place Like Time is part of a larger conceptual work investigating the problems of identity construction and historical knowledge. In another it is an exploration of two questions: What does an aesthetics of obscurity looks like, and what is the connection between quality and quantity in the contemporary art world, where celebrity, lucrative simulation, and media saturation are equated with success?
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Andi Olsen’s work has been exhibited across the U.S. and Europe. Lance Olsen is author of more than 20 books of and about innovative fiction. Recipient of Guggenheim, Berlin Prize, DAAD Artist-in-Berlin, and N.E.A. fellowships, as well as a Fulbright Scholar, he teaches narrative theory and practice at the University of Utah.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USA
paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized. Bestandsnummer des Verkäufers M1941423930Z3
Anzahl: 2 verfügbar
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition. Bestandsnummer des Verkäufers 26068655
Anzahl: 15 verfügbar
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New. Bestandsnummer des Verkäufers 26068655-n
Anzahl: 15 verfügbar
Anbieter: INDOO, Avenel, NJ, USA
Zustand: New. Brand New. Bestandsnummer des Verkäufers 9781941423936
Anzahl: Mehr als 20 verfügbar
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
Paperback. Zustand: New. There's No Place Like Time is a strange beast: a fictional catalogue of a real retrospective of experimental films by a videographer who never existed.A collection of critical and biographical essays, stills, and reminiscences about Alana Olsen's (a character who first appeared in Lance Olsen's novel Theories of Forgetting) powerful body of work produced in relative anonymity, There's No Place Like Time remembers an oeuvre of fewer than 30 videos that span roughly four decades and have influenced artists as varied as Lars von Trier, Douglas Gordon, and Martin Arnold.Author Lance Olsen and filmmaker Andi Olsen have already begun staging Alana Olsen's faux retrospective in galleries in Berlin and elsewhere. Enter those spaces and one enters a three-dimensional novel: a ""real"" place dedicated to the""unreal"" career of one of America's most unjustly overlooked artists. From her videos and the language surrounding them (including this catalogue) one is invited to infer Alana's character, development, obsessions, and relationship with her equally fictive daughter, Aila, who curates the exhibits.In one sense, then, There's No Place Like Time is part of a larger conceptual work investigating the problems of identity construction and historical knowledge. In another it is an exploration of two questions: What does an aesthetics of obscurity looks like, and what is the connection between quality and quantity in the contemporary art world, where celebrity, lucrative simulation, and media saturation are equated with success? Bestandsnummer des Verkäufers LU-9781941423936
Anzahl: 8 verfügbar
Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
Zustand: New. Num Pages: 136 pages. Category: (P) Professional & Vocational. Dimension: 203 x 203 x 13. Weight in Grams: 499. . 2015. Paperback. . . . . Bestandsnummer des Verkäufers V9781941423936
Anzahl: 15 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Num Pages: 136 pages. Category: (P) Professional & Vocational. Dimension: 203 x 203 x 13. Weight in Grams: 499. . 2015. Paperback. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9781941423936
Anzahl: 15 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - There's No Place Like Time is a strange beast: a fictional catalogue of a real retrospective of experimental films by a videographer who never existed.A collection of critical and biographical essays, stills, and reminiscences about Alana Olsen's (a character who first appeared in Lance Olsen's novel Theories of Forgetting) powerful body of work produced in relative anonymity, There's No Place Like Time remembers an oeuvre of fewer than 30 videos that span roughly four decades and have influenced artists as varied as Lars von Trier, Douglas Gordon, and Martin Arnold.Author Lance Olsen and filmmaker Andi Olsen have already begun staging Alana Olsen's faux retrospective in galleries in Berlin and elsewhere. Enter those spaces and one enters a three-dimensional novel: a ''real'' place dedicated to the''unreal'' career of one of America's most unjustly overlooked artists. From her videos and the language surrounding them (including this catalogue) one is invited to infer Alana's character, development, obsessions, and relationship with her equally fictive daughter, Aila, who curates the exhibits.In one sense, then, There's No Place Like Time is part of a larger conceptual work investigating the problems of identity construction and historical knowledge. In another it is an exploration of two questions: What does an aesthetics of obscurity looks like, and what is the connection between quality and quantity in the contemporary art world, where celebrity, lucrative simulation, and media saturation are equated with success. Bestandsnummer des Verkäufers 9781941423936
Anzahl: 2 verfügbar
Anbieter: moluna, Greven, Deutschland
Kartoniert / Broschiert. Zustand: New. Bestandsnummer des Verkäufers 905899603
Anzahl: Mehr als 20 verfügbar
Anbieter: Rarewaves.com UK, London, Vereinigtes Königreich
Paperback. Zustand: New. There's No Place Like Time is a strange beast: a fictional catalogue of a real retrospective of experimental films by a videographer who never existed.A collection of critical and biographical essays, stills, and reminiscences about Alana Olsen's (a character who first appeared in Lance Olsen's novel Theories of Forgetting) powerful body of work produced in relative anonymity, There's No Place Like Time remembers an oeuvre of fewer than 30 videos that span roughly four decades and have influenced artists as varied as Lars von Trier, Douglas Gordon, and Martin Arnold.Author Lance Olsen and filmmaker Andi Olsen have already begun staging Alana Olsen's faux retrospective in galleries in Berlin and elsewhere. Enter those spaces and one enters a three-dimensional novel: a ""real"" place dedicated to the""unreal"" career of one of America's most unjustly overlooked artists. From her videos and the language surrounding them (including this catalogue) one is invited to infer Alana's character, development, obsessions, and relationship with her equally fictive daughter, Aila, who curates the exhibits.In one sense, then, There's No Place Like Time is part of a larger conceptual work investigating the problems of identity construction and historical knowledge. In another it is an exploration of two questions: What does an aesthetics of obscurity looks like, and what is the connection between quality and quantity in the contemporary art world, where celebrity, lucrative simulation, and media saturation are equated with success? Bestandsnummer des Verkäufers LU-9781941423936
Anzahl: 8 verfügbar