A self-taught photographer from the northeastern coast of England, Berlin-based Saul Fletcher (born 1967) has been working for more than two decades to create images of fragmented bodies, found-object assemblages and (most famously) the artist’s own studio wall. Neither staged nor real, neither fast-moving nor static, neither intimate nor detached, Fletcher’s images create distinct ruptures in everyday temporalities. This substantial volume reproduces more than 300 photographs, alongside essays by Ralph Rugoff and Kirsty Bell that touch on the haunting feeling produced by Fletcher’s imagery.
Fletcher’s work has been exhibited at the Atlanta Contemporary Art Center, the Hessel Museum of Art in Annandale-on-Hudson, the Rose Art Museum at Brandeis University, Tate Modern in London and the Carnegie Museum of Art in Pittsburgh.
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Hardcover. Zustand: Used - Like New. A self-taught photographer from the northeastern coast of England, Berlin-based Saul Fletcher (born 1967) has been working for more than two decades to create images of fragmented bodies, found-object assemblages and (most famously) the artist's own studio wall. Neither staged nor real, neither fast-moving nor static, neither intimate nor detached, Fletcher's images create distinct ruptures in everyday temporalities. This substantial volume reproduces more than 300 photographs, alongside essays by Ralph Rugoff and Kirsty Bell that touch on the haunting feeling produced by Fletcher's imagery.Fletcher's work has been exhibited at the Atlanta Contemporary Art Center, the Hessel Museum of Art in Annandale-on-Hudson, the Rose Art Museum at Brandeis University, Tate Modern in London and the Carnegie Museum of Art in Pittsburgh. BEAUTIFUL COPY!!! Bestandsnummer des Verkäufers 333618
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hardcover. Zustand: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Bestandsnummer des Verkäufers M1941753221Z3
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Hardcover. Zustand: Good. A self-taught photographer from the northeastern coast of England, Berlin-based Saul Fletcher (born 1967) has been working for more than two decades to create images of fragmented bodies, found-object assemblages and (most famously) the artist's own studio wall. Neither staged nor real, neither fast-moving nor static, neither intimate nor detached, Fletcher's images create distinct ruptures in everyday temporalities. This substantial volume reproduces more than 300 photographs, alongside essays by Ralph Rugoff and Kirsty Bell that touch on the haunting feeling produced by Fletcher's imagery.Fletcher's work has been exhibited at the Atlanta Contemporary Art Center, the Hessel Museum of Art in Annandale-on-Hudson, the Rose Art Museum at Brandeis University, Tate Modern in London and the Carnegie Museum of Art in Pittsburgh. Copyright © Inventory Press LLC. Bestandsnummer des Verkäufers 462174
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hardcover. Zustand: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book. Bestandsnummer des Verkäufers ERICA82919417532213
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. A self-taught photographer from the northeastern coast of England, Berlin-based Saul Fletcher (born 1967) has been working for more than two decades to create images of fragmented bodies, found-object assemblages and (most famously) the artist's own studio wall. Neither staged nor real, neither fast-moving nor static, neither intimate nor detached, Fletcher's images create distinct ruptures in everyday temporalities. This substantial volume reproduces more than 300 photographs, alongside essays by Ralph Rugoff and Kirsty Bell that touch on the haunting feeling produced by Fletcher's imagery - fitted with a removable, clear mylar sleeve - All my books are always securely packed with plenty of bubblewrap in professional boxes and promptly dispatched (within 2-3 days) - SIGNED BY SAUL FLETCHER - Pictures available upon request. Signed by Author(s). Bestandsnummer des Verkäufers 010459
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