From Shannon Tharp: "In Shore, the world begins with 'The things that happen//before the thing/ that is going to happen.' This world's attendant language then moves outward, toward everything and somewhere, much as water and memory do. At the height of its singing, the poem asks, 'Have you grieved, dear Reader?' Within the answer to this question is the sound of water running inside a three, life returning to life, the bottle and the snuff tin, echoes of Emily Dickinson and Memphis Minnie--as though an Alan Lomax field recording has made its way to the page. In this graceful work, Clay Matthews thinks through and sounds out the stories that need telling." From Steve Davenport: "Listen, the voice says. Once upon a time, there was a story and it was ours and it was made of many voices and it was true and it was never true and it was Clay Matthews' to tell, to sing, to turn into American Long Poem of fish guts and menstrual blood, of motor oil and rising waters, of beautiful umbrella. Where do we come from and where do we go? Better to ask how. Better to listen up and let Clay Matthews' gorgeous, terrible flood song take you back and take you away."
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Clay Matthews has published two previous full-length collections: Superfecta (Ghost Road Press, 2008) and Runoff (BlazeVox Books, 2009). He's also published a couple chapbooks, and a handful of poems and etc. in journals such as The American Poetry Review, Willow Springs, Black Warrior Review, Gulf Coast, New Orleans Review, and elsewhere. He completed his Ph.D. in creative writing at Oklahoma State in 2008, and he's now teaching at Tusculum College outside of Greeneville, TN, where he also edits poetry for The Tusculum Review. He's got some poems floating around out there in the internet he'd love for you to look up and introduce yourself to, and he always enjoys hearing from folks.
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