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In the tradition of Pacific Northwest Gothic, these poems explore intimate and expansive themes of place, leaving, return, and resilience amid beauty and degradation on the shores of the Salish Sea.
Dills’s brilliant poems open, echo, ache, celebrate memory, loss, longing, the body carrying the weight of work and time, & give us an extraordinary collection both intimate & immense.
The poem titles are set in Bodoni 62, a modern interpretation of the work of Giambattista Bodoni (1740–1813), a great artist of the printed page. Bodoni brought unique precision to the making of books, attending to proportion, spacing, balance, & the shape of every letter. His type is a dramatic meeting of opposites: the weight of the strong vertical stroke against an almost vanishing hairline; darkness beside light; monumentality beside delicacy. A universe in that tension!
The poems themselves are set in Robert Slimbach’s Arno Pro, named for Florence’s Arno River. Drawing upon the warmth of Renaissance humanist book type, Arno carries the eye gently across the page, allowing the voice of the poem to emerge through the intimate act of reading.
In these poems, the immense contracts into the particular, history into a mother’s hands, time into a photograph, the eternal as a refinery at dawn. This is the universe at the point of contraction: everything vast becomes intimate, everything intimate becomes vast, the page as threshold, as home, Bodoni as the door, Arno as welcome.
Expansion/contraction, weight/light, memory/mystery, the living & the lost, Robert Frost’s homesickness/love sickness, distilled through Randall’s immense lyrical capability, becomes the poem, becomes this collection
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Paperback. Zustand: new. Paperback. In the tradition of Pacific Northwest Gothic, these poems explore intimate and expansive themes of place, leaving, return, and resilience amid beauty and degradation on the shores of the Salish Sea.___Dills's brilliant poems open, echo, ache, celebrate memory, loss, longing, the body carrying the weight of work and time, & give us an extraordinary collection both intimate & immense. The poem titles are set in Bodoni 62, a modern interpretation of the work of Giambattista Bodoni (1740-1813), a great artist of the printed page. Bodoni brought unique precision to the making of books, attending to proportion, spacing, balance, & the shape of every letter. His type is a dramatic meeting of opposites: the weight of the strong vertical stroke against an almost vanishing hairline; darkness beside light; monumentality beside delicacy. A universe in that tension! The poems themselves are set in Robert Slimbach's Arno Pro, named for Florence's Arno River. Drawing upon the warmth of Renaissance humanist book type, Arno carries the eye gently across the page, allowing the voice of the poem to emerge through the intimate act of reading.In these poems, the immense contracts into the particular, history into a mother's hands, time into a photograph, the eternal as a refinery at dawn. This is the universe at the point of contraction: everything vast becomes intimate, everything intimate becomes vast, the page as threshold, as home, Bodoni as the door, Arno as welcome. Expansion/contraction, weight/light, memory/mystery, the living & the lost, Robert Frost's homesickness/love sickness, distilled through Randall's immense lyrical capability, becomes the poem, becomes this collection In the tradition of Pacific Northwest Gothic, these poems explore intimate and expansive themes of place, leaving, return, and resilience amid beauty and degradation on the shores of the Salish Sea. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781957468709
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Paperback. Zustand: new. Paperback. In the tradition of Pacific Northwest Gothic, these poems explore intimate and expansive themes of place, leaving, return, and resilience amid beauty and degradation on the shores of the Salish Sea.___Dills's brilliant poems open, echo, ache, celebrate memory, loss, longing, the body carrying the weight of work and time, & give us an extraordinary collection both intimate & immense. The poem titles are set in Bodoni 62, a modern interpretation of the work of Giambattista Bodoni (1740-1813), a great artist of the printed page. Bodoni brought unique precision to the making of books, attending to proportion, spacing, balance, & the shape of every letter. His type is a dramatic meeting of opposites: the weight of the strong vertical stroke against an almost vanishing hairline; darkness beside light; monumentality beside delicacy. A universe in that tension! The poems themselves are set in Robert Slimbach's Arno Pro, named for Florence's Arno River. Drawing upon the warmth of Renaissance humanist book type, Arno carries the eye gently across the page, allowing the voice of the poem to emerge through the intimate act of reading.In these poems, the immense contracts into the particular, history into a mother's hands, time into a photograph, the eternal as a refinery at dawn. This is the universe at the point of contraction: everything vast becomes intimate, everything intimate becomes vast, the page as threshold, as home, Bodoni as the door, Arno as welcome. Expansion/contraction, weight/light, memory/mystery, the living & the lost, Robert Frost's homesickness/love sickness, distilled through Randall's immense lyrical capability, becomes the poem, becomes this collection In the tradition of Pacific Northwest Gothic, these poems explore intimate and expansive themes of place, leaving, return, and resilience amid beauty and degradation on the shores of the Salish Sea. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9781957468709
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Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In the tradition of Pacific Northwest Gothic, these poems explore intimate and expansive themes of place, leaving, return, and resilience amid beauty and degradation on the shores of the Salish Sea.___Dills's brilliant poems open, echo, ache, celebrate memory, loss, longing, the body carrying the weight of work and time, & give us an extraordinary collection both intimate & immense. The poem titles are set in Bodoni 62, a modern interpretation of the work of Giambattista Bodoni (1740-1813), a great artist of the printed page. Bodoni brought unique precision to the making of books, attending to proportion, spacing, balance, & the shape of every letter. His type is a dramatic meeting of opposites: the weight of the strong vertical stroke against an almost vanishing hairline; darkness beside light; monumentality beside delicacy. A universe in that tension! The poems themselves are set in Robert Slimbach's Arno Pro, named for Florence's Arno River. Drawing upon the warmth of Renaissance humanist book type, Arno carries the eye gently across the page, allowing the voice of the poem to emerge through the intimate act of reading.In these poems, the immense contracts into the particular, history into a mother's hands, time into a photograph, the eternal as a refinery at dawn. This is the universe at the point of contraction: everything vast becomes intimate, everything intimate becomes vast, the page as threshold, as home, Bodoni as the door, Arno as welcome. Expansion/contraction, weight/light, memory/mystery, the living & the lost, Robert Frost's homesickness/love sickness, distilled through Randall's immense lyrical capability, becomes the poem, becomes this collection. Bestandsnummer des Verkäufers 9781957468709
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Paperback. Zustand: new. Paperback. In the tradition of Pacific Northwest Gothic, these poems explore intimate and expansive themes of place, leaving, return, and resilience amid beauty and degradation on the shores of the Salish Sea.___Dills's brilliant poems open, echo, ache, celebrate memory, loss, longing, the body carrying the weight of work and time, & give us an extraordinary collection both intimate & immense. The poem titles are set in Bodoni 62, a modern interpretation of the work of Giambattista Bodoni (1740-1813), a great artist of the printed page. Bodoni brought unique precision to the making of books, attending to proportion, spacing, balance, & the shape of every letter. His type is a dramatic meeting of opposites: the weight of the strong vertical stroke against an almost vanishing hairline; darkness beside light; monumentality beside delicacy. A universe in that tension! The poems themselves are set in Robert Slimbach's Arno Pro, named for Florence's Arno River. Drawing upon the warmth of Renaissance humanist book type, Arno carries the eye gently across the page, allowing the voice of the poem to emerge through the intimate act of reading.In these poems, the immense contracts into the particular, history into a mother's hands, time into a photograph, the eternal as a refinery at dawn. This is the universe at the point of contraction: everything vast becomes intimate, everything intimate becomes vast, the page as threshold, as home, Bodoni as the door, Arno as welcome. Expansion/contraction, weight/light, memory/mystery, the living & the lost, Robert Frost's homesickness/love sickness, distilled through Randall's immense lyrical capability, becomes the poem, becomes this collection In the tradition of Pacific Northwest Gothic, these poems explore intimate and expansive themes of place, leaving, return, and resilience amid beauty and degradation on the shores of the Salish Sea. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9781957468709
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Taschenbuch. Zustand: Neu. The Universe at the Point of Contraction | Randall Dills | Taschenbuch | Englisch | 2026 | Wild Rising Press | EAN 9781957468709 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. Bestandsnummer des Verkäufers 138107833
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