Trebor Healey's masterly prose is known for its visceral energy, muscular edge, flights of lyrical fantasy and elegiac reflection; from places of both light and dark, he thoroughly captures the poignant and erotic life of gay men. In his 2016 short story collection, Eros & Dust, Healey sets loose an unforgettable cast of characters as he returns to many of his favourite themes: desire in Mexico and South America, the search for fauns, folly, death, erotic obsessions, and a bit of the supernatural.
Many of his stories offer flawed characters, using faulty reasoning to make bad choices. Others are more an elegy to lost innocence than what the surface indicates. There's the meth-addled youth bent on redemption by returning to New Orleans in the aftermath of Hurricane Katrina, a mischievous imp wreaking havoc in 1980s Berkeley, and a circus clown fleeing his Mexican trapeze artist lover by escaping to Argentina. The reader will also encounter an elusive faun of the Oaxacan highlands, a traveler expiring from dengue fever, a revisionist Jack Kerouac, and a victim of Pinochet's brutal coup, along with troubled chickenhawks and ambivalent lovers trying to work it out in venues as diverse as chatrooms, a junkyard, and a puppet theater.
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Recipient of The James Duggins Lambda Literary Award for Mid-Career Novelists, Trebor Healey also received the Violet Quill award for his first novel, Through It Came Bright Colors, and the Publishing Triangle's Ferro-Grumley Award in Fiction for both A Horse Named Sorrow and Through It Came Bright Colors. In addition, he has penned the speculative fiction novel, Faun, and a homoerotic poetry collection, Sweet Son of Pan, along with three collections of stories - A Perfect Scar & Other Stories, Eros & Dust and Falling. He co-edited (with Marci Blackman) Beyond Definition: New Writing from Gay and Lesbian San Francisco, and co-edited (with Amie Evans) Queer & Catholic.
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