From the author of American Eden—finalist for the Pulitzer Prize, the National Book Award, and more—comes a sweeping, richly researched biography of Frederic Church, the great 19th-century American artist whose stunning paintings of remote lands and seas thrilled American audiences and put the young republic on the map of world culture—published on Church’s bicentennial.
“They came to see the world.”
New York, spring 1859. Outside Frederic Church’s Tenth Street studio, men and women amassed by the thousands hoping for a glimpse of his magnificent Heart of the Andes: a painting whose sublime, ‘near supernatural’ rendering of the vast Andean landscape encountered on the artist’s recent travels introduced thousands of Americans to the fierce, majestic beauty of the far-flung wildernesses of the globe.
Frederic Church brought the world to America, and America into the world. Cementing the United States as a cultural and artistic force a full century before America’s Abstract Impressionists rose to prominence, Church’s bold paintings composed odes in color, shadow, and light to natural places near and far: the lush jungles of South America and immense icebergs of Newfoundland where he journeyed as a young man; the Syrian deserts and ancient, ruined cities where he and his wife traveled following the devastating loss of their two young children; the verdant, luminous valley around the Hudson where Church first studied painting and where he returned and established his estate, Olana, whose landscape itself became a work of art. Deeply influenced by the work of Alexander von Humboldt, Church conjured a vision of the natural world as a place of communion with creation.
Church charted, across the latter half of the 19th century, a career that both inhabited and gave shape to the artistic, cultural, and political crosscurrents of his day. Through a close examination of Church's letters, sketches, paintings, and diaries, and traveling in Church's footsteps to Egypt, the Andes, Petra, Jamaica, and Jerusalem, Johnson traces the path not only of one man’s life, but of a country swept up in an era of vast and vertiginous change. Church worked and lived in New York in the city’s formative years. He was a founder of its first great museum, the Met, and in paintings, not in words, he conveyed his passion for the exquisite natural beauty of the United States, but also for a Union free of slavery. He gave Americans visions of the majesty of their own new country and of the wonders of worlds only to be seen in paintings by this astonishing adventurer and artist. Church was a master artist and innovator, turning landscape painting into a portrait of a nation, and in the process, putting American art on the map of the world. Glorious Country is a book, Johnson writes, “about how we see and what we save.”
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Victoria Johnson is a writer and professor of urban policy and planning at Hunter College in New York City, where she teaches on the history of philanthropy, nonprofits, and New York City. She is the author of American Eden: David Hosack, Botany, and Medicine in the Garden of the Early Republic, which was a finalist for the National Book Award for Nonfiction, the Pulitzer Prize for History, and the Los Angeles Times Book Prize in Biography. The book was also a New York Times Notable Book of the Year, and was shortlisted for the Cundill History Prize. Johnson holds a doctorate in sociology from Columbia University, as well as an undergraduate degree in philosophy from Yale. Her website is GloriousCountry.org.
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Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Hardback. Zustand: Good. From the author of American Eden?finalist for the Pulitzer Prize, the National Book Award, and more?comes a sweeping, richly researched biography of Frederic Church, the great 19th-century American artist whose stunning paintings of remote lands and seas thrilled American audiences and put the young republic on the map of world culture?published on Church?s bicentennial. ?They came to see the world.? New York, spring 1859. Outside Frederic Church?s Tenth Street studio, men and women amassed by the thousands hoping for a glimpse of his magnificent Heart of the Andes: a painting whose sublime, ?near supernatural? rendering of the vast Andean landscape encountered on the artist?s recent travels introduced thousands of Americans to the fierce, majestic beauty of the far-flung wildernesses of the globe. Frederic Church brought the world to America, and America into the world. Cementing the United States as a cultural and artistic force a full century before America?s Abstract Impressionists rose to prominence, Church?s bold paintings composed odes in color, shadow, and light to natural places near and far: the lush jungles of South America and immense icebergs of Newfoundland where he journeyed as a young man; the Syrian deserts and ancient, ruined cities where he and his wife traveled following the devastating loss of their two young children; the verdant, luminous valley around the Hudson where Church first studied painting and where he returned and established his estate, Olana, whose landscape itself became a work of art. Deeply influenced by the work of Alexander von Humboldt, Church conjured a vision of the natural world as a place of communion with creation. Church charted, across the latter half of the 19th century, a career that both inhabited and gave shape to the artistic, cultural, and political crosscurrents of his day. Through a close examination of Church's letters, sketches, paintings, and diaries, and traveling in Church's footsteps to Egypt, the Andes, Petra, Jamaica, and Jerusalem, Johnson traces the path not only of one man?s life, but of a country swept up in an era of vast and vertiginous change. Church worked and lived in New York in the city?s formative years. He was a founder of its first great museum, the Met, and in paintings, not in words, he conveyed his passion for the exquisite natural beauty of the United States, but also for a Union free of slavery. He gave Americans visions of the majesty of their own new country and of the wonders of worlds only to be seen in paintings by this astonishing adventurer and artist. Church was a master artist and innovator, turning landscape painting into a portrait of a nation, and in the process, putting American art on the map of the world. Glorious Country is a book, Johnson writes, ?about how we see and what we save.? Bestandsnummer des Verkäufers 00110594592
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Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Hardback. Zustand: Very Good. From the author of American Eden?finalist for the Pulitzer Prize, the National Book Award, and more?comes a sweeping, richly researched biography of Frederic Church, the great 19th-century American artist whose stunning paintings of remote lands and seas thrilled American audiences and put the young republic on the map of world culture?published on Church?s bicentennial. ?They came to see the world.? New York, spring 1859. Outside Frederic Church?s Tenth Street studio, men and women amassed by the thousands hoping for a glimpse of his magnificent Heart of the Andes: a painting whose sublime, ?near supernatural? rendering of the vast Andean landscape encountered on the artist?s recent travels introduced thousands of Americans to the fierce, majestic beauty of the far-flung wildernesses of the globe. Frederic Church brought the world to America, and America into the world. Cementing the United States as a cultural and artistic force a full century before America?s Abstract Impressionists rose to prominence, Church?s bold paintings composed odes in color, shadow, and light to natural places near and far: the lush jungles of South America and immense icebergs of Newfoundland where he journeyed as a young man; the Syrian deserts and ancient, ruined cities where he and his wife traveled following the devastating loss of their two young children; the verdant, luminous valley around the Hudson where Church first studied painting and where he returned and established his estate, Olana, whose landscape itself became a work of art. Deeply influenced by the work of Alexander von Humboldt, Church conjured a vision of the natural world as a place of communion with creation. Church charted, across the latter half of the 19th century, a career that both inhabited and gave shape to the artistic, cultural, and political crosscurrents of his day. Through a close examination of Church's letters, sketches, paintings, and diaries, and traveling in Church's footsteps to Egypt, the Andes, Petra, Jamaica, and Jerusalem, Johnson traces the path not only of one man?s life, but of a country swept up in an era of vast and vertiginous change. Church worked and lived in New York in the city?s formative years. He was a founder of its first great museum, the Met, and in paintings, not in words, he conveyed his passion for the exquisite natural beauty of the United States, but also for a Union free of slavery. He gave Americans visions of the majesty of their own new country and of the wonders of worlds only to be seen in paintings by this astonishing adventurer and artist. Church was a master artist and innovator, turning landscape painting into a portrait of a nation, and in the process, putting American art on the map of the world. Glorious Country is a book, Johnson writes, ?about how we see and what we save.? Bestandsnummer des Verkäufers CIN1982196297VG
Anzahl: 12 verfügbar
Anbieter: -OnTimeBooks-, Phoenix, AZ, USA
Zustand: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. Bestandsnummer des Verkäufers OTV.1982196297.G
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Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G1982196297I4N10
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Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G1982196297I3N10
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Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G1982196297I4N10
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Anbieter: World of Books Inc, Montgomery, IL, USA
Hardback. Zustand: Very Good. From the author of American Eden?finalist for the Pulitzer Prize, the National Book Award, and more?comes a sweeping, richly researched biography of Frederic Church, the great 19th-century American artist whose stunning paintings of remote lands and seas thrilled American audiences and put the young republic on the map of world culture?published on Church?s bicentennial. ?They came to see the world.? New York, spring 1859. Outside Frederic Church?s Tenth Street studio, men and women amassed by the thousands hoping for a glimpse of his magnificent Heart of the Andes: a painting whose sublime, ?near supernatural? rendering of the vast Andean landscape encountered on the artist?s recent travels introduced thousands of Americans to the fierce, majestic beauty of the far-flung wildernesses of the globe. Frederic Church brought the world to America, and America into the world. Cementing the United States as a cultural and artistic force a full century before America?s Abstract Impressionists rose to prominence, Church?s bold paintings composed odes in color, shadow, and light to natural places near and far: the lush jungles of South America and immense icebergs of Newfoundland where he journeyed as a young man; the Syrian deserts and ancient, ruined cities where he and his wife traveled following the devastating loss of their two young children; the verdant, luminous valley around the Hudson where Church first studied painting and where he returned and established his estate, Olana, whose landscape itself became a work of art. Deeply influenced by the work of Alexander von Humboldt, Church conjured a vision of the natural world as a place of communion with creation. Church charted, across the latter half of the 19th century, a career that both inhabited and gave shape to the artistic, cultural, and political crosscurrents of his day. Through a close examination of Church's letters, sketches, paintings, and diaries, and traveling in Church's footsteps to Egypt, the Andes, Petra, Jamaica, and Jerusalem, Johnson traces the path not only of one man?s life, but of a country swept up in an era of vast and vertiginous change. Church worked and lived in New York in the city?s formative years. He was a founder of its first great museum, the Met, and in paintings, not in words, he conveyed his passion for the exquisite natural beauty of the United States, but also for a Union free of slavery. He gave Americans visions of the majesty of their own new country and of the wonders of worlds only to be seen in paintings by this astonishing adventurer and artist. Church was a master artist and innovator, turning landscape painting into a portrait of a nation, and in the process, putting American art on the map of the world. Glorious Country is a book, Johnson writes, ?about how we see and what we save.? Bestandsnummer des Verkäufers CIN1982196297VG
Anzahl: 12 verfügbar
Anbieter: World of Books Inc, Montgomery, IL, USA
Hardback. Zustand: Good. From the author of American Eden?finalist for the Pulitzer Prize, the National Book Award, and more?comes a sweeping, richly researched biography of Frederic Church, the great 19th-century American artist whose stunning paintings of remote lands and seas thrilled American audiences and put the young republic on the map of world culture?published on Church?s bicentennial. ?They came to see the world.? New York, spring 1859. Outside Frederic Church?s Tenth Street studio, men and women amassed by the thousands hoping for a glimpse of his magnificent Heart of the Andes: a painting whose sublime, ?near supernatural? rendering of the vast Andean landscape encountered on the artist?s recent travels introduced thousands of Americans to the fierce, majestic beauty of the far-flung wildernesses of the globe. Frederic Church brought the world to America, and America into the world. Cementing the United States as a cultural and artistic force a full century before America?s Abstract Impressionists rose to prominence, Church?s bold paintings composed odes in color, shadow, and light to natural places near and far: the lush jungles of South America and immense icebergs of Newfoundland where he journeyed as a young man; the Syrian deserts and ancient, ruined cities where he and his wife traveled following the devastating loss of their two young children; the verdant, luminous valley around the Hudson where Church first studied painting and where he returned and established his estate, Olana, whose landscape itself became a work of art. Deeply influenced by the work of Alexander von Humboldt, Church conjured a vision of the natural world as a place of communion with creation. Church charted, across the latter half of the 19th century, a career that both inhabited and gave shape to the artistic, cultural, and political crosscurrents of his day. Through a close examination of Church's letters, sketches, paintings, and diaries, and traveling in Church's footsteps to Egypt, the Andes, Petra, Jamaica, and Jerusalem, Johnson traces the path not only of one man?s life, but of a country swept up in an era of vast and vertiginous change. Church worked and lived in New York in the city?s formative years. He was a founder of its first great museum, the Met, and in paintings, not in words, he conveyed his passion for the exquisite natural beauty of the United States, but also for a Union free of slavery. He gave Americans visions of the majesty of their own new country and of the wonders of worlds only to be seen in paintings by this astonishing adventurer and artist. Church was a master artist and innovator, turning landscape painting into a portrait of a nation, and in the process, putting American art on the map of the world. Glorious Country is a book, Johnson writes, ?about how we see and what we save.? Bestandsnummer des Verkäufers CIN1982196297G
Anzahl: 2 verfügbar
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Bestandsnummer des Verkäufers GOR015041377
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