Performing the Middle Ages from 'Beowulf' to 'Othello' traces the dialogic nature of the relationship between the Middle Ages and modernity. Arguing that modern beliefs in the alterity of the Middle Ages stem from the Middle Ages' own processes of self-representation, Johnston explores varieties of nostalgia through a wide selection of texts. This volume spans an extensive chronological period with a view to demonstrating how our notions of the medieval have been crucially informed by the past itself. The study is focused on works which stage that popular literary archetype - the nostalgic figure of the aristocratic warrior - and argues that it is this image that provides a structural model for so many modern perspectives on the Middle Ages. And yet, in the Middle Ages this model was being deconstructed as it was also being generated. By moving from the self-consciously archaic heroism of Beowulf to the scathing comment on chivalric narrative presented in Chaucer's 'Knight's Tale', Johnston's analysis offers an intriguing insight into the way medieval texts engage in a continual aesthetic and ideological critique of their own cultural moment. Using Sir Gawain and the Green Knight and the Alliterative Morte Arthure as examples of an incisive critique of the cult of subjectivity and of a highly self-conscious desire for tradition, Johnston extends his analysis to the early seventeenth century, and explores the ways in which Shakespeare's Othello brilliantly deconstructs the very concept of 'Renaissance Man'. With its interest in issues of subjectivity, textual performance, and the ideological self-awareness of medieval culture, Performing the Middle Ages provides a scholarly and compelling investigation into the Middle Ages' ability both to understand itself and to shape (post)modern notions of the medieval.
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Anbieter: ISD LLC, Bristol, CT, USA
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Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. Volume 15. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9782503527550. Bestandsnummer des Verkäufers 9979177
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Hardcover. Zustand: Very Good. SIGNED. Hardcover in very good condition. Covers are clean and square. Binding is strong. Text is clean and free of marks. SIGNED on title page with inscription by author. We ship books every day from a real brick & mortar bookstore, and this listing was written by an actual person, with the book sitting in front of me for inspection. Signed. Bestandsnummer des Verkäufers F-5346
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Anbieter: Lacey Books Ltd, Cirencester, Vereinigtes Königreich
Hardcover. Zustand: Good. 2009 Brepols hardcover edition. Stamp to endpaper else very good condition. From the cover: Performing the Middle Ages from 'Beowulf' to 'Othello' traces the dialogic nature of the relationship between the Middle Ages and modernity. Arguing that modern beliefs in the alterity of the Middle Ages stem from the Middle Ages' own processes of self-representation, Johnston explores varieties of nostalgia through a wide selection of texts. This volume spans an extensive chronological period with a view to demonstrating how our notions of the medieval have been crucially informed by the past itself. The study is focused on works which stage that popular literary archetype - the nostalgic figure of the aristocratic warrior - and argues that it is this image that provides a structural model for so many modern perspectives on the Middle Ages. And yet, in the Middle Ages this model was being deconstructed even as it was also being generated. By moving from the self-consciously archaic heroism of Beowulf to the scathing comment on chivalric narrative presented in Chaucer's 'Knight's Tale', Johnston's analysis offers an intriguing insight into the way medieval texts engage in a continual aesthetic and ideological critique of their own cultural moment. Using Sir Gawain and the Green Knight and the Alliterative Morte Arthure as examples of an incisive critique of the cult of subjectivity and of a highly self-conscious desire for tradition, Johnston extends his analysis to the early seventeenth century, and explores the ways in which Shakespeare's Othello brilliantly deconstructs the very concept of 'Renaissance Man'. With its interest in issues of subjectivity, textual performance, and the ideological self-awareness of medieval culture, Performing the Middle Ages provides a scholarly and compelling investigation into the Middle Ages' ability both to understand itself and to shape (post)modern notions of the medieval. Contents: Introduction Chapter 1: Beowulf and the Mask of Archaism Chapter 2: Performing Anti-subjective Subjectivity in Late-Medieval English Literature Voyeurism and Narratorial Power: The Cultural Politics of the 'Knights Tale' Effacing the Subject of Confession in Sir Gawain and the Green Knight Chapter 3: History and Medievalism in the Alliterative Morte Arthure Chapter 4: Othello and the Chivalric Origins of 'Renaissance Man' Conclusion Bibliography. Bestandsnummer des Verkäufers WH-S9GJ-3FTA
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Anbieter: GreatBookPrices, Columbia, MD, USA
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Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
Zustand: New. 2009. 1st Edition. hardcover. . . . . . Bestandsnummer des Verkäufers V9782503527550
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Anbieter: GreatBookPrices, Columbia, MD, USA
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Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2009. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9782503527550
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Anbieter: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Deutschland
Zustand: gut. Performing the Middle Ages from 'Beowulf' to 'Othello' In deutscher Sprache. pages. Bestandsnummer des Verkäufers BN384601
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