[to accompany the Exhibition Sean Landers, at the Kunsthalle Zürich, August 28 - October 31, 2004] Bilingual 2005 159 S. Softcover JRP Editions,
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Raritan River Books, Philadelphia, PA, USA
Soft cover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Paperback in dustjacket; binding sound, text clean very light shelfwear. 160 pages. Folio (oversize) volume, may require additional charges for expedited or international shipping. Book. Bestandsnummer des Verkäufers 5053591
Anzahl: 1 verfügbar
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Zustand des Schutzumschlags: dj. First Edition. First edition. Softcover. 159 pages. Text in English and German. Features an introduction by Beatrix Ruf along with the text of Caoimhin Mac Giolla Leith and Beatrix Ruf's interview of Landers. Includes numerous color illustrations, a list of previous exhibitions, and a selected bibliography. A clean and tight very near fine copy in wrappers and in a very near fine dust jacket. Bestandsnummer des Verkäufers 211602
Anzahl: 1 verfügbar
Anbieter: ANARTIST, New York, NY, USA
Softcover with dustjacket, 160 pages, in English and German; very good condition; clean and crisp; pages yellowed at edges; no internal marks. Foreign shipping may be extra. Bestandsnummer des Verkäufers SeLaKu30
Anzahl: 1 verfügbar
Anbieter: CorgiPack, Fulton, NY, USA
Paperback. Zustand: VG. Text free of underlining, writing and highlighting. Very nice clean copy. Book Description Since the early 1990s, Sean Landers has made some of the most fascinating and repeatedly irritating art in circulation. The polar opposites of tormented self-doubt and endless self-aggrandizement run like threads through the artist's practice, as do several masks of failure that Landers uses as a strategy to preserve himself from impending loser-status. As the artist puts it, "My original idea was to make conceptual art entertaining, sloppy, emotional, human, and funny. Over the years I got so far out on this conceptual limb that I went around full circle until I was a traditional artist again. I tried to be ironic about it but eventually became sincere. Now I'm a happy victim of my own charade." This monograph presents an overview of Lander's oeuvre and includes works from 1992 to the present. 160 pages. Bestandsnummer des Verkäufers WB044013
Anzahl: 1 verfügbar
Anbieter: michael diesman, Fresh Meadows, NY, USA
Soft cover. Zustand: Fine. Color Plates (illustrator). Bilingual edition. Since the early 1990s, Sean Landers has made some of the most fascinating and repeatedly irritating art in circulation. The polar opposites of tormented self-doubt and endless self-aggrandizement run like threads through the artist's practice, as do several masks of failure that Landers uses as a strategy to preserve himself from impending loser-status. As the artist puts it, "My original idea was to make conceptual art entertaining, sloppy, emotional, human, and funny. Over the years I got so far out on this conceptual limb that I went around full circle until I was a traditional artist again. I tried to be ironic about it but eventually became sincere. Now I'm a happy victim of my own charade." This monograph presents an overview of Lander's oeuvre and includes works from 1992 to the present. Bestandsnummer des Verkäufers 048256
Anzahl: 1 verfügbar
Anbieter: Mullen Books, ABAA, Marietta, PA, USA
Softbound. Taupe wraps with white lettering, illustrated dust jacket with black lettering. 159 pp. Text is in German and English, and includes an interview with the artist. Lots of professional information at the rear. VG-/VG- light wear to wraps, very light interior tanning. light corner/edge wear to dust jacket including crease at corner of front flap. Bestandsnummer des Verkäufers 102115
Anzahl: 1 verfügbar
Anbieter: michael diesman, Fresh Meadows, NY, USA
Soft cover. Zustand: New. Color Plates (illustrator). Bilingual edition. Brand new book, still sealed in publisher's shrink wrap. Since the early 1990s, Sean Landers has made some of the most fascinating and repeatedly irritating art in circulation. The polar opposites of tormented self-doubt and endless self-aggrandizement run like threads through the artist's practice, as do several masks of failure that Landers uses as a strategy to preserve himself from impending loser-status. As the artist puts it, "My original idea was to make conceptual art entertaining, sloppy, emotional, human, and funny. Over the years I got so far out on this conceptual limb that I went around full circle until I was a traditional artist again. I tried to be ironic about it but eventually became sincere. Now I'm a happy victim of my own charade." This monograph presents an overview of Lander's oeuvre and includes works from 1992 to the present. Bestandsnummer des Verkäufers 048257
Anzahl: 1 verfügbar
Anbieter: Counterpoint Records & Books, Los Angeles, CA, USA
Soft Cover. Zustand: Very Good. First Thus. Illustrated wrappers with black titles shows minimal wear, book still in original shrink-wrap. Bestandsnummer des Verkäufers 42211
Anzahl: 1 verfügbar
Anbieter: Antiquariat UEBUE, Zürich, Schweiz
Softcover. Zustand: Sehr gut. 1. Auflage. Z : 24 x 29, 160 Seiten/pages, 95 farbige Abbildungen - Die vorliegende Monografie gibt einen Überblick über Landers' uvre mit Text- und Cartoonarbeiten auf Papier, Gemälden, Skulpturen sowie Video- und Audioarbeiten von 1992 bis heute. Mit Text- und Videoarbeiten, die als Konzeptkunst getarnt erscheinen, führt er das Tabu des Künstlers als Subjekt sowie die Emotionen des Künstlers in dieses Genre ein. Er ist als der Künstler bekannt geworden, der sich mit Bekenntnis- und Bewusstseinsstromtexten und Videos als Versager in seiner Kunst, seinem Leben und seinen Beziehungen darstellt. Bestandsnummer des Verkäufers ABE-1593016060249
Anzahl: 1 verfügbar
Anbieter: ANARTIST, New York, NY, USA
Softcover exhibition catalog with dustjacket, 160 pages; in English and German; very good condition; no internal marks. Bestandsnummer des Verkäufers SeLaKu65
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