Basics Interior Design 02: Exhibition Design explores the role of the exhibition designer as a creative practitioner, and seeks to communicate a better understanding of exhibition design as a discipline. This umbrella term incorporates the development of commercial trade fairs, brand experiences, themed attractions, world expositions, museum galleries, visitor centres, historic houses, landscape interpretation and art installations. Millions of people visit exhibitions of one sort or another every year, constituting a multi-billion dollar global industry. This book offers a comprehensive guide to the practice of exhibition design, and considers the blurring of its borders with other disciplines, such as graphic design.
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Pam Locker is the subject leader for Design for Exhibition and Museums at the University of Lincoln. She has worked as a museum and exhibition designer and consultant for a range of projects and organisations in Britain and Europe. As a Principal Teaching Fellow she has a special interest in the use of communication design in education. She has developed an online resource, 'Pencils and Pixels,' that uses filmed demonstrations to teach design students about drawing as a means of communication. Pam is a member of the Chartered Society of Designers and holds Professional Membership of the Higher Education Academy FHEA.
Basics Interior Design: Exhibition Design explores the role of the exhibition designer as a creative practitioner, and seeks to communicate a better understanding of the complexity of exhibition design as a discipline. Millions of people visit exhibitions of one sort or another every year, constituting a multi-billion dollar global industry. The umbrella term "exhibition design" incorporates the development of commercial trade fairs, brand experiences, themed attractions, world expositions, museum galleries, visitor centres, historic houses, landscape interpretation and art installations. Supported by case study examples and practical tips, this book offers a comprehensive guide to the practice of exhibition design, and considers the blurring of its borders with other design disciplines, such as graphic design.
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