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On Picture Making and Picture Seeing: A Brief Discourse: 4 (Vision, Illusion and Perception, 4) - Softcover
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Archaeological and anthropological investigations of depictions seldom extend beyond a single culture or a single geographical location, although there is a powerful factor common to all depictions, the factor of human perception.
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Jan B. Deręgowski, D.Sc., FRSE, FBPsS, is Professor Emeritus of Psychology at the University of Aberdeen. He has been pursuing studies of visual perception in many cultures and has published some of his findings in Illusions, Patterns and Pictures (Academic Press, 1980) as well as, recently, two overviews: Cross-cultural Studies of Illusions (in the Oxford compendium of Visual Illusions, OUP, 2017) and The Psychology of Graphic Perception (in the Oxford Handbook of Archaeology and Anthropology of Rock Art, OUP, 2018).
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Archaeological and anthropological investigations of depictions seldom extend beyond a single culture or a single geographical location, although there is a powerful factor common to all depictions, the factor of human perception. In this volume an attempt is made to show how this factor affects both creation and recognition of depictions, how, in common with everyday vision of the environment, typical contours are derived and used, not merely to depict individually readily recognisable models, but also how by concatenation they lead to such a splendid figure as Australian Kakadu crocodiles, or by distortion to creation of illusions of pictorial depth, such as is evoked by Leonardo da Vinci’s perspective and by inverted (Byzantine) perspective thought by some to be an aberration. Bartel’s studies show that pictorial depth is often achieved to the artist’s, and many a viewer’s, but not to geometer’s satisfaction by partial distortion, and Chinese masterpieces embody, side by side, ‘normal’ and inverted perspective.
The visual process is universally uniform (if it were not, one would not be able to recognise an Altamira bison as a bison) and its foibles can be freely exploited.
Its best known exploiter is probably Cezanne. His pictures are admired by many and puzzle many. Strzeminski postulated that they compound distinct lines of sight, thus endorsing primacy of central vision, a concept thought by Gombrich to be of greater import to geometers than to artists.
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On Picture Making and Picture Seeing
ISBN 10: 3031233506
ISBN 13: 9783031233500
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Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Archaeological and anthropological investigations of depictions seldom extend beyond a single culture or a single geographical location, although there is a powerful factor common to all depictions, the factor of human perception. In this volume an attempt is made to show how this factor affects both creation and recognition of depictions, how, in common with everyday vision of the environment, typical contours are derived and used, not merely to depict individually readily recognisable models, but also how by concatenation they lead to such a splendid figure as Australian Kakadu crocodiles, or by distortion to creation of illusions of pictorial depth, such as is evoked by Leonardo da Vinci's perspective and by inverted (Byzantine) perspective thought by some to be an aberration. Bartel's studies show that pictorial depth is often achieved to the artist's, and many a viewer's, but not to geometer's satisfaction by partial distortion, and Chinese masterpieces embody, side by side, 'normal' and inverted perspective.The visual process is universally uniform (if it were not, one would not be able to recognise an Altamira bison as a bison) and its foibles can be freely exploited.Its best known exploiter is probably Cezanne. His pictures are admired by many and puzzle many. Strzeminski postulated that they compound distinct lines of sight, thus endorsing primacy of central vision, a concept thought by Gombrich to be of greater import to geometers than to artists. 109 pp. Englisch. Bestandsnummer des Verkäufers 9783031233500
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On Picture Making and Picture Seeing
ISBN 10: 3031233506
ISBN 13: 9783031233500
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Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Archaeological and anthropological investigations of depictions seldom extend beyond a single culture or a single geographical location, although there is a powerful factor common to all depictions, the factor of human perception. In this volume an attem. Bestandsnummer des Verkäufers 1543828276
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On Picture Making and Picture Seeing
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Springer Nature Switzerland Apr 2024, 2024
ISBN 10: 3031233506
ISBN 13: 9783031233500
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Taschenbuch. Zustand: Neu. Neuware -Archaeological and anthropological investigations of depictions seldom extend beyond a single culture or a single geographical location, although there is a powerful factor common to all depictions, the factor of human perception. In this volume an attempt is made to show how this factor affects both creation and recognition of depictions, how, in common with everyday vision of the environment, typical contours are derived and used, not merely to depict individually readily recognisable models, but also how by concatenation they lead to such a splendid figure as Australian Kakadu crocodiles, or by distortion to creation of illusions of pictorial depth, such as is evoked by Leonardo da Vinci¿s perspective and by inverted (Byzantine) perspective thought by some to be an aberration. Bartel¿s studies show that pictorial depth is often achieved to the artist¿s, and many a viewer¿s, but not to geometer¿s satisfaction by partial distortion, and Chinese masterpieces embody, side by side, ¿normal¿ and inverted perspective.The visual process is universally uniform (if it were not, one would not be able to recognise an Altamira bison as a bison) and its foibles can be freely exploited.Its best known exploiter is probably Cezanne. His pictures are admired by many and puzzle many. Strzemi¿ski postulated that they compound distinct lines of sight, thus endorsing primacy of central vision, a concept thought by Gombrich to be of greater import to geometers than to artists.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 120 pp. Englisch. Bestandsnummer des Verkäufers 9783031233500
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On Picture Making and Picture Seeing : A Brief Discourse
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Springer International Publishing, 2024
ISBN 10: 3031233506
ISBN 13: 9783031233500
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Archaeological and anthropological investigations of depictions seldom extend beyond a single culture or a single geographical location, although there is a powerful factor common to all depictions, the factor of human perception. In this volume an attempt is made to show how this factor affects both creation and recognition of depictions, how, in common with everyday vision of the environment, typical contours are derived and used, not merely to depict individually readily recognisable models, but also how by concatenation they lead to such a splendid figure as Australian Kakadu crocodiles, or by distortion to creation of illusions of pictorial depth, such as is evoked by Leonardo da Vinci's perspective and by inverted (Byzantine) perspective thought by some to be an aberration. Bartel's studies show that pictorial depth is often achieved to the artist's, and many a viewer's, but not to geometer's satisfaction by partial distortion, and Chinese masterpieces embody, side by side, 'normal' and inverted perspective.The visual process is universally uniform (if it were not, one would not be able to recognise an Altamira bison as a bison) and its foibles can be freely exploited.Its best known exploiter is probably Cezanne. His pictures are admired by many and puzzle many. Strzeminski postulated that they compound distinct lines of sight, thus endorsing primacy of central vision, a concept thought by Gombrich to be of greater import to geometers than to artists. Bestandsnummer des Verkäufers 9783031233500
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On Picture Making and Picture Seeing: A Brief Discourse (Vision, Illusion and Perception, 4, Band 4)
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