This book examines drone warfare – primarily understood now as an issue of technology, military strategy, and law – through popular cultural forms: fiction, film, drama, theater, art, performance, and dance. Drawing on theoretical work from the fields of culture and human rights, and examining existing critiques of drones, this volume demonstrates how powerful – predominantly western – states engage in a double violence when they deploy a remotely controlled weapon, one which both kills the victim and dehumanizes them as a threat, a terrorist, or a racialized other. Through close readings and analysis of cultural representations of drones, and situating them in their political and historical contexts, the essays make transparent the vocabulary of human rights work, and spotlight critical questions, contradictions and political agendas which surround the remotely controlled technologies of violence.
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Muhammad Waqar Azeem is an Adjunct Lecturer at State University of New York, Binghamton, US where he also completed his PhD in English as a Fulbright fellow (2014-19).
This book examines drone warfare – primarily understood now as an issue of technology, military strategy, and law – through popular cultural forms: fiction, film, drama, theater, art, performance, and dance. Drawing on theoretical work from the fields of culture and human rights, and examining existing critiques of drones, this volume demonstrates how powerful – predominantly western – states engage in a double violence when they deploy a remotely controlled weapon, one which both kills the victim and dehumanizes them as a threat, a terrorist, or a racialized other. Through close readings and analysis of cultural representations of drones, and situating them in their political and historical contexts, the essays make transparent the vocabulary of human rights work, and spotlight critical questions, contradictions and political agendas which surround the remotely controlled technologies of violence.
Muhammad Waqar Azeem is an Adjunct Lecturer at State University of New York, Binghamton, US where he also completed his PhD in English as a Fulbright fellow (2014-19).
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Buch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book examines drone warfare primarily understood now as an issue of technology, military strategy, and law through popular cultural forms: fiction, film, drama, theater, art, performance, and dance. Drawing on theoretical work from the fields of culture and human rights, and examining existing critiques of drones, this volume demonstrates how powerful predominantly western states engage in a double violence when they deploy a remotely controlled weapon, one which both kills the victim and dehumanizes them as a threat, a terrorist, or a racialized other. Through close readings and analysis of cultural representations of drones, and situating them in their political and historical contexts, the essays make transparent the vocabulary of human rights work, and spotlight critical questions, contradictions and political agendas which surround the remotely controlled technologies of violence. 263 pp. Englisch. Bestandsnummer des Verkäufers 9783032081902
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Buch. Zustand: Neu. Human Rights in the Age of Drones | Critical Perspectives on Post-9/11 Literature, Film and Art | Muhammad Waqar Azeem | Buch | xv | Englisch | 2026 | Springer International Publishing | EAN 9783032081902 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu Print on Demand. Bestandsnummer des Verkäufers 134503368
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Buch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book examines drone warfare primarily understood now as an issue of technology, military strategy, and law through popular cultural forms: fiction, film, drama, theater, art, performance, and dance. Drawing on theoretical work from the fields of culture and human rights, and examining existing critiques of drones, this volume demonstrates how powerful predominantly western states engage in a double violence when they deploy a remotely controlled weapon, one which both kills the victim and dehumanizes them as a threat, a terrorist, or a racialized other. Through close readings and analysis of cultural representations of drones, and situating them in their political and historical contexts, the essays make transparent the vocabulary of human rights work, and spotlight critical questions, contradictions and political agendas which surround the remotely controlled technologies of violence.Springer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 280 pp. Englisch. Bestandsnummer des Verkäufers 9783032081902
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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book examines drone warfare primarily understood now as an issue of technology, military strategy, and law through popular cultural forms: fiction, film, drama, theater, art, performance, and dance. Drawing on theoretical work from the fields of culture and human rights, and examining existing critiques of drones, this volume demonstrates how powerful predominantly western states engage in a double violence when they deploy a remotely controlled weapon, one which both kills the victim and dehumanizes them as a threat, a terrorist, or a racialized other. Through close readings and analysis of cultural representations of drones, and situating them in their political and historical contexts, the essays make transparent the vocabulary of human rights work, and spotlight critical questions, contradictions and political agendas which surround the remotely controlled technologies of violence. Bestandsnummer des Verkäufers 9783032081902
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