Twenty-two years after his death, Thomas Bernhard’s work continues to fascinate, irritate, and please readers. This book analyzes Bernhard’s writings in the light of post-war Austrian history, challenging the prevailing formalist and psychological reception of his work. It does so by revealing the close connection between individual texts and contemporaneous economic and political events, such as the relationship of the 1969 story Watten. Ein Nachlass to the incipient decline of the social-partnership state, or the connection of the 1970 novel Das Kalkwerk to the shifting balance of power between bourgeoisie and proletariat. Furthermore, the book argues that much of Bernhard’s engagement in public life was an attack on the «pseudo-socialism» of the Austrian socialist party and especially of Bruno Kreisky. Bernhard’s critique is effected through what the author terms a «comic materialism» – an unrelenting focus on the material aspects of life – evident in his protagonists’ ludicrously obsessive fixation on the objects of everyday life and in his comic critique of Viennese society.
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Russell T. Harrison is Assistant Professor of Writing Studies and Composition at Hofstra University. He was previously Senior Fulbright Lecturer in American Literature at Palacky University in Czechoslovakia (1987-9) and at Minsk State Linguistic University in Belarus (1996-8).
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Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Twenty-two years after his death, Thomas Bernhard's work continues to fascinate, irritate, and please readers. This book analyzes Bernhard's writings in the light of post-war Austrian history, challenging the prevailing formalist and psychological reception of his work. It does so by revealing the close connection between individual texts and contemporaneous economic and political events, such as the relationship of the 1969 story Watten. Ein Nachlass to the incipient decline of the social-partnership state, or the connection of the 1970 novel Das Kalkwerk to the shifting balance of power between bourgeoisie and proletariat. Furthermore, the book argues that much of Bernhard's engagement in public life was an attack on the «pseudo-socialism» of the Austrian socialist party and especially of Bruno Kreisky. Bernhard's critique is effected through what the author terms a «comic materialism» - an unrelenting focus on the material aspects of life - evident in his protagonists' ludicrously obsessive fixation on the objects of everyday life and in his comic critique of Viennese society. 212 pp. Englisch. Bestandsnummer des Verkäufers 9783034302869
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Kartoniert / Broschiert. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Twenty-two years after his death, Thomas Bernhard s work continues to fascinate, irritate, and please readers. This book analyzes Bernhard s writings in the light of post-war Austrian history, challenging the prevailing formalist and psychological reception. Bestandsnummer des Verkäufers 117465359
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Taschenbuch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Twenty-two years after his death, Thomas Bernhard¿s work continues to fascinate, irritate, and please readers. This book analyzes Bernhard¿s writings in the light of post-war Austrian history, challenging the prevailing formalist and psychological reception of his work. It does so by revealing the close connection between individual texts and contemporaneous economic and political events, such as the relationship of the 1969 story Watten. Ein Nachlass to the incipient decline of the social-partnership state, or the connection of the 1970 novel Das Kalkwerk to the shifting balance of power between bourgeoisie and proletariat. Furthermore, the book argues that much of Bernhard¿s engagement in public life was an attack on the «pseudo-socialism» of the Austrian socialist party and especially of Bruno Kreisky. Bernhard¿s critique is effected through what the author terms a «comic materialism» ¿ an unrelenting focus on the material aspects of life ¿ evident in his protagonists¿ ludicrously obsessive fixation on the objects of everyday life and in his comic critique of Viennese society.Books on Demand GmbH, Überseering 33, 22297 Hamburg 212 pp. Englisch. Bestandsnummer des Verkäufers 9783034302869
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Twenty-two years after his death, Thomas Bernhard's work continues to fascinate, irritate, and please readers. This book analyzes Bernhard's writings in the light of post-war Austrian history, challenging the prevailing formalist and psychological reception of his work. It does so by revealing the close connection between individual texts and contemporaneous economic and political events, such as the relationship of the 1969 story Watten. Ein Nachlass to the incipient decline of the social-partnership state, or the connection of the 1970 novel Das Kalkwerk to the shifting balance of power between bourgeoisie and proletariat. Furthermore, the book argues that much of Bernhard's engagement in public life was an attack on the «pseudo-socialism» of the Austrian socialist party and especially of Bruno Kreisky. Bernhard's critique is effected through what the author terms a «comic materialism» - an unrelenting focus on the material aspects of life - evident in his protagonists' ludicrously obsessive fixation on the objects of everyday life and in his comic critique of Viennese society. Bestandsnummer des Verkäufers 9783034302869
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Taschenbuch. Zustand: Neu. Thomas Bernhard's Comic Materialism | Class, Art, and 'Socialism' in Post-War Austria | Russell Harrison | Taschenbuch | 212 S. | Englisch | 2012 | Peter Lang | EAN 9783034302869 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu. Bestandsnummer des Verkäufers 103985312
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