Although Gwendolyn Brooks (1917-2004) was the first African American writer to win the Pulitzer Prize, she occupies a curious position in the larger black canon. Despite her importance, with the exception of very few critical accounts of her work, she has been usually treated in critical isolation from her black peers, be they male or female. Brooks’s earlier stages were discarded by many black critics as works directed to white audiences, whereas black critics who became interested in her nationalist phase limited her to the Black Aesthetic perspective. Such approaches to Brooks’s opus fail to do justice to her work which stood on equal footing with other groundbreaking works in terms of her pioneering themes and techniques. This book examines all of Brooks’s stages while tracing the changes that marked her voice throughout. By comparing and contrasting her work to Richard Wright, Margaret Walker, Ralph Ellison, Lorraine Hansberry, Amiri Baraka and Sonia Sanchez, it becomes possible to highlight the distinct poetic legacy of Brooks. The aim of this book is to assess the extent to which Brooks participated in the black canon and to examine how far her realistic settings and individualised characters resulted in a poetry capable of providing accurate reflections of black life in America throughout five very vibrant decades.
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Yomna Mohamed Saber was born and grew up in Cairo, Egypt. She studied English and Arabic Languages and Literatures at the University of Ain Shams and was awarded a Ph.D. from the School of American and Canadian Studies, University of Nottingham, UK, in 2008. She works as an assistant professor of literature at Ain Shams University and is engaged in a further study of contemporary American literature.
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Anbieter: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Deutschland
Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Although Gwendolyn Brooks (1917-2004) was the first African American writer to win the Pulitzer Prize, she occupies a curious position in the larger black canon. Despite her importance, with the exception of very few critical accounts of her work, she has been usually treated in critical isolation from her black peers, be they male or female. Brooks's earlier stages were discarded by many black critics as works directed to white audiences, whereas black critics who became interested in her nationalist phase limited her to the Black Aesthetic perspective. Such approaches to Brooks's opus fail to do justice to her work which stood on equal footing with other groundbreaking works in terms of her pioneering themes and techniques. This book examines all of Brooks's stages while tracing the changes that marked her voice throughout. By comparing and contrasting her work to Richard Wright, Margaret Walker, Ralph Ellison, Lorraine Hansberry, Amiri Baraka and Sonia Sanchez, it becomes possible to highlight the distinct poetic legacy of Brooks. The aim of this book is to assess the extent to which Brooks participated in the black canon and to examine how far her realistic settings and individualised characters resulted in a poetry capable of providing accurate reflections of black life in America throughout five very vibrant decades. 211 pp. Englisch. Bestandsnummer des Verkäufers 9783034305044
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Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Although Gwendolyn Brooks (1917-2004) was the first African American writer to win the Pulitzer Prize, she occupies a curious position in the larger black canon. Despite her importance, with the exception of very few critical accounts of her work, she has been usually treated in critical isolation from her black peers, be they male or female. Brooks's earlier stages were discarded by many black critics as works directed to white audiences, whereas black critics who became interested in her nationalist phase limited her to the Black Aesthetic perspective. Such approaches to Brooks's opus fail to do justice to her work which stood on equal footing with other groundbreaking works in terms of her pioneering themes and techniques. This book examines all of Brooks's stages while tracing the changes that marked her voice throughout. By comparing and contrasting her work to Richard Wright, Margaret Walker, Ralph Ellison, Lorraine Hansberry, Amiri Baraka and Sonia Sanchez, it becomes possible to highlight the distinct poetic legacy of Brooks. The aim of this book is to assess the extent to which Brooks participated in the black canon and to examine how far her realistic settings and individualised characters resulted in a poetry capable of providing accurate reflections of black life in America throughout five very vibrant decades.; Dissertationsschrift. Bestandsnummer des Verkäufers 9783034305044
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Taschenbuch. Zustand: Neu. Brave to be Involved | Shifting Positions in the Poetry of Gwendolyn Brooks | Yomna Saber | Taschenbuch | Englisch | Peter Lang | EAN 9783034305044 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. Bestandsnummer des Verkäufers 103732867
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Anbieter: Mispah books, Redhill, SURRE, Vereinigtes Königreich
Paperback. Zustand: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book. Bestandsnummer des Verkäufers ERICA77530343050446
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