How do practices of artistic intervention engage with conceptual frameworks, in particular when it comes to location, institutional context, as well as human and non-human relations? What are the historical and theoretical references that fuel current approaches within the arts―performative, participatory, intervening―and in what ways do these references infer a certain tension between concepts and actions, between objectives and practices? And in what ways do these debates provide possible tools for the analysis of artistic intervention today?
This volume addresses the potentials and challenges of different forms of intervention at the intersection of activism and artistic fields and practices. The contributions, written by scholars from art history, sociology, literary and performative studies as well as art practitioners, present case studies that shed light on artistic practices that respond to geopolitical, socio-cultural, and ecological crises, as well as on curatorial projects, the organization of collectives and the role of institutions within the art field and academia. Individual contributions are accompanied by short interviews that give room to dialogues among the authors.
Taking a multidirectional approach that accounts for the positionality of perspectives and highlights the non-directional formation of the interventions at hand, the anthology presents and discusses current tools, methods, and analytical frameworks to address artistic interventions.
With contributions by Raphael Daibert, Agata Jakubowska, Amelia Jones, Anna Kipke, Iryna Kovalenko, Premesh Lalu, Natalia Moussienko, Alia Rayyan, Laura Rogalski, María Laura Rosa, Franka Schäfer, Paula Serafini, Valeria Schulte-Fischedick, Simon Teune, and Mimmi Woisnitza.
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Iryna Kovalenko Iryna Kovalenko is a doctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at the European University Viadrina of Frankfurt (Oder) and Free University Berlin. Her field of research is contemporary Ukrainian culture and literature. Within the CRC 1512, she is working on the project “The Practices of Artistic Intervention During the Ukrainian Revolution in 2013–2014.” She is examining how artists contributed to the protests on the Maidan, challenging dominant narratives and highlighting the unique aesthetics that emerged.
Laura Rogalski Laura Rogalski is a doctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at Free University Berlin. As a sociologist, she focuses on cultural sociology, social theory, qualitative methods, and right-wing extremism. Her most recently published article is “On Writing Schools and Pegida Sympathizers. New-Right Literary Criticism” (in German, 2022). At the CRC 1512, she is pursuing a PhD thesis on artists’ and activists’ perspectives on the social impact of their practice.
Simon Teune Simon Teune is a postdoctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at Freie Universität Berlin. His research focuses on protests and social movements in general, and the cultural embedding of protest movements in particular. He has worked on the visual representation as well as the media coverage of protests. Within CRC 1512, he works on the project “Expectations of the Impact of Artistic Intervention: An Enquiry into Self-Understanding, Practices, and Receptions.”
Mimmi Woisnitza Mimmi Woisnitza is a postdoctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at Leuphana University Lüneburg and Free University Berlin. As a theater scholar and cultural historian, her research focuses on revolutionary theater practices in the early twentieth century from a feminist perspective. Within CRC 1512, she is pursuing a project on the intersection of life and art in Latvian theater maker Asja Lācis’ relational theater practice and its reception.
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Paperback. Zustand: new. Paperback. This anthology presents and discusses current tools, methods, and analytical frameworks to address artistic interventions, taking a multidirectional approach that accounts for the positionality of perspectives and highlights the nondirectional formation of the interventions at hand. How do practices of artistic intervention engage with conceptual frameworks, in particular when it comes to location, institutional context, and human and nonhuman relations? How is the tension between concepts and actions, and between programmatic ideas and practices, addressed in historical and theoretical debates around performative, participative, and intervening arts? And in what ways do these debates provide possible tools for the analysis of artistic intervention today? This volume addresses the potentials and challenges of different forms of intervention at the intersection of activism and artistic fields and practices. The contributions, written by scholars from art history, sociology, and literary and performative studies as well as art practitioners, are present case studies that shed light on artistic practices that respond to geopolitical, sociocultural, and ecological crises, as well as on curatorial projects, the organization of collectives, and the role of institutions within the art field and academia. Individual contributions are accompanied by short interviews that give room to dialogues among the authors. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9783035806984
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Paperback. Zustand: New. This anthology presents and discusses current tools, methods, and analytical frameworks to address artistic interventions, taking a multidirectional approach that accounts for the positionality of perspectives and highlights the nondirectional formation of the interventions at hand. How do practices of artistic intervention engage with conceptual frameworks, in particular when it comes to location, institutional context, and human and nonhuman relations? How is the tension between concepts and actions, and between programmatic ideas and practices, addressed in historical and theoretical debates around performative, participative, and intervening arts? And in what ways do these debates provide possible tools for the analysis of artistic intervention today? This volume addresses the potentials and challenges of different forms of intervention at the intersection of activism and artistic fields and practices. The contributions, written by scholars from art history, sociology, and literary and performative studies as well as art practitioners, are present case studies that shed light on artistic practices that respond to geopolitical, sociocultural, and ecological crises, as well as on curatorial projects, the organization of collectives, and the role of institutions within the art field and academia. Individual contributions are accompanied by short interviews that give room to dialogues among the authors. Bestandsnummer des Verkäufers LU-9783035806984
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