Since the 1970s, in collaboration with renowned printers and publishers, Richard Tuttle (born 1941) has produced almost 300 prints. Exploiting the unique possibilities of printmaking to make process, materials and actions visible, Tuttle celebrates the complexity of printmaking. Accompanying an exhibition at the Bowdoin College Museum of Art, Brunswick, and published as Tuttle creates a major installation at the Tate Modern''s Turbine Hall (Fall 2014), this volume is the first monograph on Tuttle''s printmaking. These works, which he began producing in the early 1970s, span woodcut, lithography, aquatint and etching, and often incorporate printer''s errors. Edited by Christina von Rotenhan, it explores not only the artist''s unique approach to printmaking with scholarly essays, artist statements and catalogue entries for selected prints between 1973 and 2013, but also Tuttle''s deep interest in the collaborative dimension of printmaking.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
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Paperback. Zustand: Good. Since the 1970s, in collaboration with renowned printers and publishers, Richard Tuttle (born 1941) has produced almost 300 prints. Exploiting the unique possibilities of printmaking to make process, materials and actions visible, Tuttle celebrates the complexity of printmaking. Accompanying an exhibition at the Bowdoin College Museum of Art, Brunswick, and published as Tuttle creates a major installation at the Tate Modern's Turbine Hall (Fall 2014), this volume is the first monograph on Tuttle's printmaking. These works, which he began producing in the early 1970s, span woodcut, lithography, aquatint and etching, and often incorporate printer's errors. Edited by Christina von Rotenhan, it explores not only the artist's unique approach to printmaking with scholarly essays, artist statements and catalogue entries for selected prints between 1973 and 2013, but also Tuttle's deep interest in the collaborative dimension of printmaking. Bestandsnummer des Verkäufers 404909
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Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 2.5. Bestandsnummer des Verkäufers G303764365XI4N00
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143 pp.; 27.2 x 28 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "Richard Tuttle: A Print Retrospective" held at Bowdoin College Museum of Art, Brunswick, Maine, June 28 - October 19, 2014. Curated by Christina von Rotenhan in collaboration with Joachim Homann. Texts by Richard Tuttle, James Cuno, Anne Collins Goodyear, Christina von Rotenhan, Susan Tallman, Armin Kunz, Joachim Homann and Chris Dercon. Includes an exhibition checklist, biography and selected bibliography. Very Good. Slight bowing of recto, very light cover wear of covers, and a 7 mm. surface tear to endpaper. Contents otherwise clean and unmarked. Includes slipped in exhibition brochure. Due to large size and weight of this publication additional shipping charges will be required for international orders. Bestandsnummer des Verkäufers 8236
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