Inhaltsangabe
The New Design Museum versammelt Theorien und Stimmen führender internationaler Institutionen und unabhängiger Initiativen zur sich ständig wandelnden Natur von Design im 21. Jahrhundert und seinem Wirkungsbereich in praktischer und diskursiver Hinsicht. Sie bilden neue institutionelle Praktiken auf allen Kontinenten ab und zeigen auf, wie dem Design – und der Architektur – gewidmete Kultureinrichtungen der Transformation bedürfen, sei es in Bezug auf ihre jeweilige Mission, ihr Programm oder Vermittlungsplattformen. Es gilt, auf sich ständig erweiternde Sichtweisen auf Design zu reagieren und dessen traditionelle, vor allem objektbasierte Präsentation durch neue Formen der Vermittlung ebenso zu erweitern.
Essays von Beatrice Leanza, 15 Interviews mit führenden Kurator:innen sowie 17 Fallstudien unabhängige Organisationen und Plattformen vertiefen und belegen diesen Paradigmenwechsel in der öffentlichen und professionellen Auseinandersetzung mit Design. Zu Wort kommen unter anderem Carson Chan (MoMA, New York), Ikko Yokoyama (M+ Museum, Hongkong), Aric Chen (Nieuwe Instituut, Rotterdam), Giovanna Borasi (Canadian Centre for Architecture, Montreal) und Lucia Pietroiusti (Serpentine Gallery, London). Die Fallstudien widmen sich beispielsweise The World Around (Brooklyn, NY), African Futures Institute (Accra), Cultures of Assembly (Luxemburg), Loudreaders, Instituto A Gente Transforma (São Paolo) oder der Fundación Organizmo (Kolumbien). Diese erforschen globale, der Dekolonisierung und dem Aufbrechen herkömmlicher Gender-Kategorien verpflichtete sowie auf maschinell generiertem, ökologischem und indigenem Wissen basierende Designparktiken und stellen neue Modelle der Weiterentwicklung und Kollaboration für Design-Institutionen vor.
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Über die Autorinnen und Autoren
Beatrice Leanza ist Kuratorin, Kulturstrategin und Kritikerin. Sie leitete das Museu de Arte, Arquitetura e Tecnologia (maat) in Lissabon und war als Direktorin des Musée cantonal de design et d’arts appliqués contemporains (mudac) in Lausanne und Creative Director der Beijing Design Week tätig. Sie ist Mitbegründerin von The Global School, Chinas erstem unabhängigen Institut für Design und kreative Forschung.
Beatrice Leanza is a cultural strategist, museum director, and critic with a background in Asian studies. She served as executive director of the Museum of Art, Architecture, and Technology (maat) in Lisbon, as director of the Museum of Contemporary Design and Applied Arts (mudac) in Lausanne, and as creative director of Beijing Design Week. She is cofounder of The Global School, China’s first independent institute dedicated to design and creative research.
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Paperback. Zustand: new. Paperback. Explores how design and architecture museums have adapted to face contemporary concerns. The New Design Museum brings together theories and voices from leading international institutions and independent initiatives addressing the transformed--and continually transforming--nature of design in the twenty-first century and its planetary scope in both practical and discursive dimensions. By mapping a new landscape of institutional practices across different geographical locations, it reveals how spaces of culture dedicated to design need transformation--of their missions, programs, and outreach platforms--to respond to an ever-expanding outlook on design as a field that is moving beyond its traditional presentation as an object-based practice. The book integrates essays by Beatrice Leanza, fifteen interviews with directors and programmers--such as Carson Chan (MoMA, New York), Ikko Yokoyama (M+ Museum, Hong Kong), Aric Chen (Nieuwe Instituut, Rotterdam), Giovanna Borasi (Canadian Centre for Architecture, Montreal), and Lucia Pietroiusti (Serpentine Gallery, London)--and seventeen case studies that encompass independent organizations and platforms offering evidence of the changing paradigms of public and professional engagement with the discipline of design. The World Around (Brooklyn, NY), African Futures Institute (Accra, Ghana), Cultures of Assembly (Luxembourg), Loudreaders, Instituto A Gente Transforma (Sao Paolo, Brasil), and Fundacion Organizmo (Colombia), and others explore global design practices invested in decolonizing and queering agency, as well as computational, ecological, and Indigenous knowledge, and present alternative educational and collaborative frameworks of institutional development. The New Design Museum ultimately examines the critical role of cultural institutions as engines for knowledge production, where a democratic politics of mutual care and shared purpose can be explored and exercised. AUTHOR: Beatrice Leanza is a cultural strategist, museum director, and critic with a background in Asian studies. She served as executive director of the Museum of Art, Architecture, and Technology in Lisbon, as director of the Museum of Contemporary Design and Applied Arts in Lausanne, and as creative director of Beijing Design Week. She is co-founder of The Global School, China's first independent institute dedicated to design and creative research. SELLING POINTS: . Maps a landscape of new institutional and curatorial practices in discussing and exhibiting architecture and design across different geographical locations . Highlights changing paradigms of public and professional engagement with design . Thirty-one case studies encompass visions and practical examples from leading international institutions as well as independent initiatives and platforms . Features 15 interviews with directors and programmers from all continents 50 colour illustrations This book maps a landscape of new institutional and curatorial practices in discussing and exhibiting architecture and design across different geographical locations. Thirty-one case studies encompass visions and practical examples from leading international institutions as well as independent initiatives and platforms. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9783038604389
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Paperback. Zustand: New. The New Design Museum maps a new landscape of institutional practices across different geographical locations. It reveals how spaces of culture dedicated to design have been transforming-their missions, programs and outreach platforms-to respond to an ever-expanding outlook on design as a field that is moving beyond its traditional presentation as an object-based practice. The case studies encompass visions and practical examples from leading international institutions as well as independent initiatives and platforms, such as The World Around (Brooklyn, NY), Serpentine Gallery (London), Future Observatory at the Design Museum (London), Cultures of Assembly (Luxembourg), Loudreaders, and Non-Extractive Architecture. They are united in their search to revisit methods and canons of conventional museological traditions. They explore a composite thematic spectrum covering from global design practices invested in decolonising and queering agency, computational, ecological and indigenous knowledge, and present alternative educational and collaborative frameworks of institutional development.The book integrates 15 interviews with directors and programmers, such as Carson Chan (MoMA, New York), Ikko Yokoyama (M+ Museum, Hong Kong), Aric Chen (Nieuwe Instituut, Rotterdam), Giovanna Borasi (Canadian Centre for Architecture, Montreal), and Lucia Pietroiusti (Serpentine Gallery, London), with a selection of 31 projects and initiatives by independent practitioners and entities beyond the traditional museum, including festivals, websites, podcasts, public programs, and off-spaces. Many of them emerged over the past decade and more intently since the outbreak of the COVID pandemic in 2020. They are evidence of the changing paradigms of public and professional engagement with the discipline of design. Bestandsnummer des Verkäufers LU-9783038604389
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Paperback. Zustand: New. The New Design Museum maps a new landscape of institutional practices across different geographical locations. It reveals how spaces of culture dedicated to design have been transforming-their missions, programs and outreach platforms-to respond to an ever-expanding outlook on design as a field that is moving beyond its traditional presentation as an object-based practice. The case studies encompass visions and practical examples from leading international institutions as well as independent initiatives and platforms, such as The World Around (Brooklyn, NY), Serpentine Gallery (London), Future Observatory at the Design Museum (London), Cultures of Assembly (Luxembourg), Loudreaders, and Non-Extractive Architecture. They are united in their search to revisit methods and canons of conventional museological traditions. They explore a composite thematic spectrum covering from global design practices invested in decolonising and queering agency, computational, ecological and indigenous knowledge, and present alternative educational and collaborative frameworks of institutional development.The book integrates 15 interviews with directors and programmers, such as Carson Chan (MoMA, New York), Ikko Yokoyama (M+ Museum, Hong Kong), Aric Chen (Nieuwe Instituut, Rotterdam), Giovanna Borasi (Canadian Centre for Architecture, Montreal), and Lucia Pietroiusti (Serpentine Gallery, London), with a selection of 31 projects and initiatives by independent practitioners and entities beyond the traditional museum, including festivals, websites, podcasts, public programs, and off-spaces. Many of them emerged over the past decade and more intently since the outbreak of the COVID pandemic in 2020. They are evidence of the changing paradigms of public and professional engagement with the discipline of design. Bestandsnummer des Verkäufers LU-9783038604389
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