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While filmic representations of 'enemies' are legion, film studies have so far neglected the way in which filmic mediations of enemy images have contributed to shaping cultural memories. The present volume investigates the (de)(re)constructions of enemy images in international film since the 1970s. The three parts deal with (re)configurations of the enemy in contemporary global cinemas, analysing films on the two world wars, on regional military conflicts, ethnic, racial and gender conflicts, socio-political conflicts and forms of terrorism. The essays concentrate on film aesthetics and contemporary (geo)politics, on filmic renderings of identity crises caused by troubled national pasts, and on the way films explore the collective psychological mechanisms at play in the construction, perpetuation or problematizing of enemy images. The volume aims to show how in spite of the diversity of national cinemas, moving images are constitutive of national collectivities by rendering conflicts involving an external or internal enemy as the defining points in national or communal histories. It also points out how the dynamics of internalism and exteriority (of 'we' and 'they') has proved vital in this process.
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Über die Autorin bzw. den Autor
Martin Löschnigg, University of Graz, Graz, Austria; Marzena Sokołowska-Paryż, University of Warsaw, Warsaw, Poland.
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Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Culture and conflict inevitably go hand in hand. The very idea of culture is marked by the notion of difference and by the creative, fraught interaction between conflicting concepts and values. The same can be said of all key ideas in the study of cultu. Bestandsnummer des Verkäufers 206520435
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The Enemy in Contemporary Film
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Buch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware -While filmic representations of ¿enemies¿ are legion, film studies have so far neglected the way in which filmic mediations of enemy images have contributed to shaping cultural memories.The present volume investigates the (de)(re)constructions of enemy images in international film since the 1970s. The three parts deal with (re)configurations of the enemy in contemporary global cinemas, analysing films on the two world wars, on regional military conflicts, ethnic, racial and gender conflicts, socio-political conflicts and forms of terrorism. The essays concentrate on film aesthetics and contemporary (geo)politics, on filmic renderings of identity crises caused by troubled national pasts, and on the way films explore the collective psychological mechanisms at play in the construction, perpetuation or problematizing of enemy images.The volume aims to show how in spite of the diversity of national cinemas, moving images are constitutive of national collectivities by rendering conflicts involving an external or internal enemy as the defining points in national or communal histories. It also points out how the dynamics of internalism and exteriority (of ¿we¿ and ¿they¿) has proved vital in this process.¿¿¿¿¿Walter de Gruyter GmbH, Genthiner Strasse 13, 10785 Berlin 422 pp. Englisch. Bestandsnummer des Verkäufers 9783110589924
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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - While filmic representations of 'enemies' are legion, film studies have so far neglected the way in which filmic mediations of enemy images have contributed to shaping cultural memories. The present volume investigates the (de)(re)constructions of enemy images in international film since the 1970s. The three parts deal with (re)configurations of the enemy in contemporary global cinemas, analysing films on the two world wars, on regional military conflicts, ethnic, racial and gender conflicts, socio-political conflicts and forms of terrorism. The essays concentrate on film aesthetics and contemporary (geo)politics, on filmic renderings of identity crises caused by troubled national pasts, and on the way films explore the collective psychological mechanisms at play in the construction, perpetuation or problematizing of enemy images. The volume aims to show how in spite of the diversity of national cinemas, moving images are constitutive of national collectivities by rendering conflicts involving an external or internal enemy as the defining points in national or communal histories. It also points out how the dynamics of internalism and exteriority (of 'we' and 'they') has proved vital in this process. Bestandsnummer des Verkäufers 9783110589924
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The Enemy in Contemporary Film
Verlag:
De Gruyter, Mercury Learning And Information Aug 2018, 2018
ISBN 10: 3110589923
ISBN 13: 9783110589924
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Buch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware - While filmic representations of 'enemies' are legion, film studies have so far neglected the way in which filmic mediations of enemy images have contributed to shaping cultural memories. The present volume investigates the (de)(re)constructions of enemy images in international film since the 1970s. The three parts deal with (re)configurations of the enemy in contemporary global cinemas, analysing films on the two world wars, on regional military conflicts, ethnic, racial and gender conflicts, socio-political conflicts and forms of terrorism. The essays concentrate on film aesthetics and contemporary (geo)politics, on filmic renderings of identity crises caused by troubled national pasts, and on the way films explore the collective psychological mechanisms at play in the construction, perpetuation or problematizing of enemy images. The volume aims to show how in spite of the diversity of national cinemas, moving images are constitutive of national collectivities by rendering conflicts involving an external or internal enemy as the defining points in national or communal histories. It also points out how the dynamics of internalism and exteriority (of 'we' and 'they') has proved vital in this process. 422 pp. Englisch. Bestandsnummer des Verkäufers 9783110589924
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