Performance is a forum for social action, embodied interaction and shared authority. Recently, as the various acts and agencies surrounding a performance have become the target of scholarly interest, the complex split between theory and practice has been challenged, as has the idea of a singular, disembodied authorial ownership of the socio-material meanings surrounding performance. The Embodiment of Authority approaches performance, issues of authority and negotiated knowledge production through multi-material research data and interdisciplinary methods. The book discusses the relationship between authorial questions and performances via the following topics: shared authorities, ontologies of art work, diverse roles of rehearsals in the performance process, and embodied knowledge.
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Taina Riikonen, PhD, is a sound explorer who works at the intersection of sound arts and research. Her interests include tactile recording, body sounds, machine noises and the issues surrounding performance, performativity, bodies and site-specific arts. Marjaana Virtanen, PhD, is a researcher at the University of Turku’s Department of Musicology, in Finland. Her research interests include performance studies, performance-oriented music analysis, musical gestures and contemporary Finnish art music.
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Originalhardcover. Zustand: Wie neu. 207 S. Ein gutes und sauberes Exemplar. - Lina Navickaité-Martinelli, On Musical Performance as a Creative Process: A Semiotic Perspective -- Yrjö Heinonen, Breaking up the Fourth Wall: Playing with, Questioning and Crossing the Implicit Barrier between Performer and Audience in Arja Koriseva's Stage Performance -- Johanna Tiensuu, Different Pianists with Different Bodies: Does the Body Matter? Constructing Discursive-Material Interconnections in a Study on Piano Pedagogy -- Ana Dinger, Curatorship as Conservation: The Role of the Curator in the Perpetuation of Performance-Based Artworks -- Anthony Pryer, The Ontology of Music and the Challenge of Performance: Identity versus Variety, and the Persistence of the 'Text' -- Marjaana Virtanen, From Sketches to First Performance: Composer-Performer Interaction in the Creation Process of Jyrki Linjama's Completorium -- Thomas Gardner, Sound Art, Music and the Rehabilitation of Schizophonia, Heidi Korhonen-Björkman and Ritva Koistinen -- The Impact of the Musical Instrument on Debussy's La fille aux cheveux de lin: A Dialogue between a Pianist and a Kantele Musician -- Catherine Lee, Reeds: Play within Shared Authority -- Marjo Suominen, Signs and Messages of Love in Performing Händel's Giulio Cesare -- Guerino Mazzola, Flow and Gesture in Free Jazz. ISBN 9783631650851 Sprache: Englisch Gewicht in Gramm: 419. Bestandsnummer des Verkäufers 1079061
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Zustand: New. Performance is a forum for social action, embodied interaction and shared authority. The Embodiment of Authority discusses the relationship between authorial questions and performances via the following topics: shared authorities, ontologies of art work, diverse roles of rehearsals in the performance process, and embodied knowledge. Editor(s): Riikonen, Taina; Virtanen, Marjaana. Series: Interdisziplinaere Studien zur Musik. Interdisciplinary Studies of Music. Num Pages: 207 pages, 8 Notenbeispiele. BIC Classification: AB; AVA; AVGC8; AVGC9; AVRG. Category: (P) Professional & Vocational. Dimension: 161 x 234 x 18. Weight in Grams: 426. . 2015. New. hardcover. . . . . Bestandsnummer des Verkäufers V9783631650851
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Buch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Performance is a forum for social action, embodied interaction and shared authority. Recently, as the various acts and agencies surrounding a performance have become the target of scholarly interest, the complex split between theory and practice has been challenged, as has the idea of a singular, disembodied authorial ownership of the socio-material meanings surrounding performance. The Embodiment of Authority approaches performance, issues of authority and negotiated knowledge production through multi-material research data and interdisciplinary methods. The book discusses the relationship between authorial questions and performances via the following topics: shared authorities, ontologies of art work, diverse roles of rehearsals in the performance process, and embodied knowledge. 208 pp. Englisch. Bestandsnummer des Verkäufers 9783631650851
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