Born in the United States, Hip-Hop as a language and social milieu presented itself as a voice from and to the street, at a time where the street needed a critical voice. As a construct of five elements- Emceeing, DJing, B-Boying, Graffiti and Knowledge; Hip-Hop provided the movement with a narrative that was both critical of itself as well as critical of the legal liberal method it employed. Concentrating on the Civil Rights Movement in the 1960s to date; the aim of this book is to highlight places outside traditional International Legal Discourse that use a different language and create a different milieu for resistance. In an effort to assert that the ultimate lesson of Hip-Hop for liberal legality is that, just in the same way art on its own will not bring justice; human rights or law and order might not either.
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Syeda Re'em Hussain is currently an International Relations PhD. Candidate at the United States International University-Africa (USIU-A). She received her B.A in International Relations from USIU-A and her M.A in International Human Rights Law from the American University in Cairo. Her research interests are; resistance,space and human rights.
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Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Born in the United States, Hip-Hop as a language and social milieu presented itself as a voice from and to the street, at a time where the street needed a critical voice. As a construct of five elements- Emceeing, DJing, B-Boying, Graffiti and Knowledge; Hip-Hop provided the movement with a narrative that was both critical of itself as well as critical of the legal liberal method it employed. Concentrating on the Civil Rights Movement in the 1960s to date; the aim of this book is to highlight places outside traditional International Legal Discourse that use a different language and create a different milieu for resistance. In an effort to assert that the ultimate lesson of Hip-Hop for liberal legality is that, just in the same way art on its own will not bring justice; human rights or law and order might not either. 84 pp. Englisch. Bestandsnummer des Verkäufers 9783659624155
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Taschenbuch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Born in the United States, Hip-Hop as a language and social milieu presented itself as a voice from and to the street, at a time where the street needed a critical voice. As a construct of five elements- Emceeing, DJing, B-Boying, Graffiti and Knowledge; Hip-Hop provided the movement with a narrative that was both critical of itself as well as critical of the legal liberal method it employed. Concentrating on the Civil Rights Movement in the 1960s to date; the aim of this book is to highlight places outside traditional International Legal Discourse that use a different language and create a different milieu for resistance. In an effort to assert that the ultimate lesson of Hip-Hop for liberal legality is that, just in the same way art on its own will not bring justice; human rights or law and order might not either.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 84 pp. Englisch. Bestandsnummer des Verkäufers 9783659624155
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Taschenbuch. Zustand: Neu. Hip-Hop: Lessons From The Frontline | The Disenchantment of Liberal Legal Discourse | Syeda Re'em Hussain | Taschenbuch | 84 S. | Englisch | 2015 | LAP LAMBERT Academic Publishing | EAN 9783659624155 | Verantwortliche Person für die EU: OmniScriptum GmbH & Co. KG, Bahnhofstr. 28, 66111 Saarbrücken, info[at]akademikerverlag[dot]de | Anbieter: preigu. Bestandsnummer des Verkäufers 104929000
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