The former air-raid shelter at the Haus der Kunst has been transformed into a venue for the presentation of international works on video that deal with the theme of a youth spent in media society and popular culture. Facets of socialization, hybrid patterns of behavior, and international influences appear in a multiplicity of forms. The exhibition presents a fascinating combination of social and personal dimensions, providing a wealth of material that virtually demands to be explored. And it is not only present-day generations that see themselves reflected here. Tobias Zielony’s Behind the Block or Martin Brand’s Station, for instance, capture a zeitgeist that has matured out of the past. The last thirty years are also called to mind in Rosemarie Trockel’s Yvonne, Rineke Dijkstra’s The Buzzclub, Liverpool, UK / Mysteryworld, Zaandam, NL, and especially in the eponymous story by Tracey Emin, Why I Never Became a Dancer.
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The former air-raid shelter at the Haus der Kunst has been transformed into a venue for the presentation of international works on video that deal with the theme of a youth spent in media society and popular culture. Facets of socialization, hybrid patterns of behavior, and international influences appear in a multiplicity of forms. The exhibition presents a fascinating combination of social and personal dimensions, providing a wealth of material that virtually demands to be explored. And it is not only present-day generations that see themselves reflected here. Tobias Zielony's Behind the Block or Martin Brand's Station, for instance, capture a zeitgeist that has matured out of the past. The last thirty years are also called to mind in Rosemarie Trockel's Yvonne, Rineke Dijkstra's The Buzzclub, Liverpool, UK / Mysteryworld, Zaandam, NL, and especially in the eponymous story by Tracey Emin, Why I Never Became a Dancer.\n
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Anbieter: Antiquariat & Verlag Jenior, Kassel, HE, Deutschland
123 S. Kartoniert mit Schutzumschlag. 8°. Mehrsprachig: deutsch, englisch. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: deu. Bestandsnummer des Verkäufers KUN61522
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