Although barely acknowledged in his native country in the aftermath of the Cuban Revolution, Emilio Sanchez dedicated much of his career to recreating the effects of Cuba's sun soaked colours onto canvas in his New York City studios. This volume collects Sanchez's acclaimed paintings, watercolours, and drawings, which are celebrated for their architectural forms, brilliant palettes, hard lines, and striking use of light and shadow. Sanchez's paintings reflect a dialogue with North American post War abstraction, as well as Latin American geometric abstraction. In addition to Cuban street scenes, Sanchez painted the architecture of New York, the Caribbean and North Africa, still lifes, and land- and seascapes. Offering diverse perspectives on this multifaceted painter, three compelling essays discuss Sanchez's work-from its relevance to aspects of modernism in Latin America, the Caribbean, and the U.S., to a glimpse into his private world and art through the lens of queer theory and aesthetics. This prismatic presentation gives readers a fresh look at this unique artist's vision while firmly positioning Sanchez within the discourse on twentieth century art history.
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RAFAEL DIAZCASAS is a curator and art historian who specializes in Latin American art. JOHN ANGELINE is an art historian and museum educator at the Metropolitan Museum of Art in New York. RUDI C. BLEYS writes widely in the field of queer theory.
Although barely acknowledged in his native country in the aftermath of the Cuban Revolution, Emilio Sanchez dedicated much of his career to recreating the effects of Cuba's sun soaked colours onto canvas in his New York City studios. This volume collects Sanchez's acclaimed paintings, watercolours, and drawings, which are celebrated for their architectural forms, brilliant palettes, hard lines, and striking use of light and shadow. Sanchez's paintings reflect a dialogue with North American post War abstraction, as well as Latin American geometric abstraction. In addition to Cuban street scenes, Sanchez painted the architecture of New York, the Caribbean and North Africa, still lifes, and land- and seascapes. Offering diverse perspectives on this multifaceted painter, three compelling essays discuss Sanchez's work-from its relevance to aspects of modernism in Latin America, the Caribbean, and the U.S., to a glimpse into his private world and art through the lens of queer theory and aesthetics. This prismatic presentation gives readers a fresh look at this unique artist's vision while firmly positioning Sanchez within the discourse on twentieth century art history.
This much anticipated and beautifully compiled monograph is the first to bring to light the prolific career and life of Emilio Sanchez, an imaginative and spirited twentieth-century Cuban American artist.
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Versandziele, Kosten & DauerAnbieter: Broadleigh Books, Gillingham, DOR, Vereinigtes Königreich
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Hardback book (near fine) in dust jacket (near fine). Mailed the same or next working day in a cardboard book box. Bestandsnummer des Verkäufers 478.30
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Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Bestandsnummer des Verkäufers 40271664-6
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Anbieter: Shaker Mill Books, W. Stockbridge, MA, USA
Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. Sanchez, Emilio (illustrator). A bright, tight copy in publisher's original shrink wrap, fully enclosed, no marks, straight edged. Bestandsnummer des Verkäufers WS26526
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Anbieter: Harbeck Rare Books, Carina, Brisbane, QLD, Australien
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 29 cm. 192 pp. with very many colour illustrations, mostly full-page. Orig. cloth with dust jacket. Top edge of text block with tiny stain (3 x 3 mm), a near fine copy. Bestandsnummer des Verkäufers 080422
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