The definition of a new African artist is as broad and diverse as the continent itself; and the stories these artists tell are at once uplifting and devastating, as are their nations' histories. This book focuses on the impact of the environment on contemporary African life and the use of found objects and appropriated materials in current African art. Artists from the oil-rich Niger Delta create images of the region's ecological destruction, impoverishment, and despair. Works from the Congo and South Africa depict abandoned mines and convict labor. Also included are El Anatsui's constructs made from bottle caps and wire and Romuald Hazoumé's clever masks, pieced together from discarded cans and obsolete telephone parts. Together these artists have created a multidimensional portrait of a continent with rich cultures, multiple challenges, and a creative and resourceful population of inspiring artists.
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Lisa Aronson is Associate Professor in the Department of Art History at Skidmore College. John S. Weber is Dayton Director of the Tang Museum and Professor of Liberal Studies at Skidmore College.
The definition of a new African artist is as broad and diverse as the continent itself; and the stories these artists tell are at once uplifting and devastating, as are their nations' histories. This book focuses on the impact of the environment on contemporary African life and the use of found objects and appropriated materials in current African art. Artists from the oil-rich Niger Delta create images of the region's ecological destruction, impoverishment, and despair
The definition of a new African artist is as broad and diverse as the continent itself; and the stories these artists tell are at once uplifting and devastating, as are their nations' histories. This book focuses on the impact of the environment on contemporary African life and the use of found objects and appropriated materials in current African art. Artists from the oil-rich Niger Delta create images of the region's ecological destruction, impoverishment, and despair
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Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USA
Hardcover. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. Bestandsnummer des Verkäufers M3791352091Z2
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Anbieter: Monroe Street Books, Middlebury, VT, USA
Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 151 pages. Decorative end papers, illustrated with color and b/w photographs throughout. Accompanied exhibition at The Frances Young Tang Teaching Museum and Art Gallery Skidmore College. Light fading to spine and light scratching to covers. Clean inside. Record # 30074. Bestandsnummer des Verkäufers 30074
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Anbieter: BennettBooksLtd, Los Angeles, CA, USA
hardcover. Zustand: New. In shrink wrap. Looks like an interesting title! Bestandsnummer des Verkäufers Q-3791352091
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Anbieter: BWS BKS, Ferndale, NY, USA
Hardcover. Zustand: New. The definition of a new African artist is as broad and diverse as the continent itself; and the stories these artists tell are at once uplifting and devastating, as are their nations' histories. This book focuses on the impact of the environment on contemporary African life and the use of found objects and appropriated materials in current African art. Artists from the oil-rich Niger Delta create images of the region's ecological destruction, impoverishment, and despair. Works from the Congo and South Africa depict abandoned mines and convict labor. Also included are El Anatsui's constructs made from bottle caps and wire and Romuald Hazoumà 's clever masks, pieced together from discarded cans and obsolete telephone parts. Together these artists have created a multidimensional portrait of a continent with rich cultures, multiple challenges, and a creative and resourceful population of inspiring artists. Bestandsnummer des Verkäufers 98138
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