In the interviews, essays and memoirs in this book, critics, artists, dealers, collectors, curators, exhibition organisers and museum directors explore the development and dynamism of the art market in Cologne and New York. These personal views and critical snapshots, covering the past four decades, are an approach to the celebrated Art Bridge New York - Cologne - New York, an attempt to assess it even if the various perspectives not only complement but sometimes even contradict each other. What this kaleidoscope implies is a correction of the usual art historical perspective, with its clear-cut success stories of museum art. In their place are the multiple dimensions of a much more broadly based system of production, supply, marketing and text. This makes alternative ways of reading official art history available.
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Edited by Peter Krueger. Forewords by Norbert Burger and Peter Krueger. Texts by Bill Arning, Heinz H. Becker, Iris Bruckgraber, Leo Castelli, et al.
Cologne and New York have both had a significant influence on the American, European, and Asian art worlds of the last 50 years. If in the 1960s and 70s their art worlds centered predominantly on artistic and cultural spheres, in the 80s and 90s they witnessed the presence of ever-stronger economic imperatives in an art world focused more and more on market and media consciousness. Through a network of references, connections, and contrasts culled from critics, artists, gallery owners, collectors, curators, and museum directors, "Art Bridge" identifies and explores the artistic, economic, and historical interaction between and development of the art markets of Cologne and New York.
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