Both the identity of dance and that of theory are at risk as soon as the two intertwine. This anthology collects observations by choreographers and scholars, dancers, dramaturges and dance theorists in an effort to trace the multiple ways in which dance and theory correlate and redefine each other: What is the nature of their relationship? How can we outline a theory of dance from our particular historical perspective which will cover dance both as a practice and as an academic concept?The contributions examine which concepts, interdependencies and discontinuities of dance and theory are relevant today and promise to engage us in the future. They address crucial topics of the current debate in dance and performance studies such as artistic research, aesthetics, politics, visuality, archives, and the »next generation«.
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Gabriele Brandstetter (Prof. Dr. phil.) ist Professorin für Theaterwissenschaft mit Schwerpunkt Tanzwissenschaft an der Freien Universität Berlin.
Gabriele Klein hat seit 2022 die Professur für Ballett und Tanz (»Hans van Manen Chair«) an der Universität Amsterdam/Niederlande inne. Von 2002 bis 2023 war sie Professorin für Soziologie von Bewegung, Tanz und Performance Studies an der Universität Hamburg. Ihre Forschungsschwerpunkte sind Kultur- und Sozialtheorie sowie Geschichte von Körper, Bewegung, Tanz und Performance, zeitgenössische Tanz- und Performancekunst, urbane Bewegungskulturen und populäre Tanzkulturen.
Both the identity of dance and that of theory are at risk as soon as the two intertwine. This anthology collects observations by choreographers and scholars, dancers, dramaturges and dance theorists in an effort to trace the multiple ways in which dance and theory correlate and redefine each other: What is the nature of their relationship? How can we outline a theory of dance from our particular historical perspective which will cover dance both as a practice and as an academic concept?The contributions examine which concepts, interdependencies and discontinuities of dance and theory are relevant today and promise to engage us in the future. They address crucial topics of the current debate in dance and performance studies such as artistic research, aesthetics, politics, visuality, archives, and the »next generation«.
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Anbieter: Bahamut Media, Reading, Vereinigtes Königreich
Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee. Bestandsnummer des Verkäufers 6545-9783837621518
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Anbieter: Antiquariat Thomas Haker GmbH & Co. KG, Berlin, Deutschland
Softcover/Paperback. Zustand: Gut. 324 S.; 24 cm, 490 g Good. Ex-library with usual markings. Cover and the first 20 pages are creased. Stamp on the side cut. The edge of the page is slightly stained otherwise clean pages. Sprache: Englisch Gewicht in Gramm: 640. Bestandsnummer des Verkäufers 900968
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Paperback. Zustand: Very Good. DANCE [AND] THEORY: 25 (Critical Dance Studies) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . Bestandsnummer des Verkäufers 7719-9783837621518
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Zustand: gut. 2013. Dance (and) theory. (=Critical dance studies). In deutscher Sprache. pages. Bestandsnummer des Verkäufers BN700923
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